Thursday, March 17, 2011

This is India - The Land of
Gandhi

Brutality Committed by Gandhi's people Exposed



The picture below is of Felani, a 14 year old girl, who was killed near the border between India and Bangladesh. The Indian Border Security Force claims that they found Felani on their side the border, and therefore, shot her to death - an instance justice rendered to a minor without any due process in Gandhi's land.

Even in Iran, they do not shoot a foreigner  caught inside their country without proper visa, let alone shoot and kill as the Indians did to a fourteen year old girl! Is it not barbaric ?


What is more repulsive about Gandhi's country is that after shooting the girl to death, they displayed her dead body by hanging her on the fence for everyone else to see . Is this not even more barbaric ?






Dead body of a 14 year old Bangladeshi girl, Felani, put on display by hanging her on the fence by the Indian Border Security Forces (BSF).  BSF shot and killed her when they found Felani on the Indian side of the border without proper visa papers. Instant justice rendered to a minor.




After the Gandhi's people render out instant justice to women and children, they carry out the bodies like this.




After shooting Bangladeshis to death by the Indians, the dead bodies are carried like hunted down animals by the Border Security Forces of Gandhi's barbaric India.


This is real India - Gandhi's India. A true barbaric nation which doesn't hesitate to pull the trigger on a 14 year old girl and then display her dead body by pinning her lifeless body on the barbed wire. How can this not be the land of the Barbarians?



The final question is how long will it take India to match the number of murdered Bangladeshis  by Pakistan in 1971?  


 

Tuesday, March 15, 2011

Hasina vs Yunus March 2011

Portrait of a Nobel Laureate's Nemesis



By David Bergman

What lies behind the sudden spate of bad press for the Grameen Bank founder?

Sketch: Somalee Banerjee


The start of a very few bad months for Muhammad Yunus, the managing director of Grameen Bank, began in November, with the broadcast of a documentary on Norwegian Television. It was not so much the film's criticism of micro-credit that was worrying for Grameen - microcredit has been under some sustained critical assessment for quite some time. Rather, the film made allegations directed at Yunus personally, as well as claims that the bank misused millions of dollars of donor money.



The programme claimed that 15 years ago, Grameen's Noble Peace Prize-winning founder had 'quietly tapped Grameen Bank' for USD 48 million of aid money. This money, it alleged, had been transferred from Grameen Bank to a separate company, Grameen Kalyan, and some money was said to have been diverted to fund Grameen Telecom, a separate company.



Made for Norwegian TV, the programme might have aroused little international interest had it not been for the English-language online Bangladesh news portal, bdnews24.com. The Dhaka-based agency quickly took up the story, publishing a long report in English, using documents given to it by the Danish filmmaker. Its editors gave the story the headline, 'Yunus "siphoned Tk 7bn aid for poor"'. The following day, the allegation was republished in most of Bangladesh's newspapers, and soon it was an international story, with The Times in London suggesting that Yunus's 'reputation was under threat'.



Fourteen years ago, during the current prime minister's first term in office, Sheikh Hasina was appointed co-chair of the Micro Credit Summit Council of Heads of State and Government, held in Washington, DC. At that time, she had nothing but praise for Mohammed Yunus. 'We in Bangladesh are proud of the outstanding work done by Professor Mohammad Yunus and the Grameen Bank he founded,' she said in her remarks. 'He has demonstrated to the world that the poor have the capacity to productively use even a small credit and change their fate. The success of the Grameen Bank has created optimism about the viability of banks engaged in extending micro-credit to the poor.'



In the aftermath of the bdnews24.com story, however, Prime Minister Hasina's attitude has been starkly different. 'Bangladesh has set many examples,' she told journalists in December. 'Deceiving people by siphoning off their money is another such example. This is nothing but sucking out money from the people after giving them loans.'



Prime Minister Hasina was known to be resentful of Yunus when he received the Nobel Peace Prize, in October 2006 - Hasina is said to believe that the prize was rightfully hers. In her first term of government, between 1996 and 2001, following the signing of a peace treaty in the Chittagong Hill Tracts, Hasina had sent emissaries around the world to lobby international statesmen, including Nelson Mandela, to nominate her for the prize. When, five years after she left power, it was Yunus who received the prize, she apparently did not take it well.



Five months later, an event took place for which Hasina evidently never forgave Yunus. In February 2007, a month after a military-backed 'caretaker' government took over power, he announced the formation of a new political party. At that time, the military-backed government was reported to be trying to remove her - along with Khaleda Zia, the leader of the other main political party - from active politics. Yunus said he wanted a 'complete emasculation of the established political parties' in order 'to cleanse the polity of massive corruption'. This did not go down well with Hasina, who reportedly thought Yunus was behind the strategy of removing the two leaders of the established parties from power - even though, after making these comments, he abandoned his idea of becoming active in party politics.



Time for old scores

Less than a week after the film was broadcast, the Norwegian government - whose funds were the ones said to have been stolen and misused - issued a report on the allegations. Erik Solheim, the Norwegian minister of the environment and international development, stated that, according to the report, 'there is no indication that Norwegian funds have been used for unintended purposes, or that Grameen Bank has engaged in corrupt practices or embezzled funds.'



Subsequent inquiries by a local newspaper, New Age, identified that the documentary had failed to recognise that the movement of money from Grameen Bank to Grameen Kalyan was a mere 'paper exercise', and did actually not leave Grameen's account. There was therefore no question that the money has been misused. Further, the money used to buy shares in Grameen Telecom was not donor money, but came from a bank-created fund to support welfare activities of its members and staff.



One might have thought that at least the Norwegian government response would bring an end to the allegations. But not at all. Toufique Khalidi, the chief editor of bdnews24.com, was having none of it. The official report 'neither contradicts the Norwegian TV documentary, nor does it refute anything in our report. It rather corroborates what we have reported,' he said. (Khalidi appears to have been going by the old anti-journalistic adage, 'Don't let the facts get in the way of a good story.') He refused to respond to the New Age article.



More importantly, Prime Minister Hasina appears to have read the situation as an opportunity for the government to make a sustained attack on Yunus. In the weeks after the documentary was broadcast, a slew of allegations against Yunus have been leaked to Bangladeshi newspapers. These included claims that Grameen Bank has created companies unlawfully, was acting outside the law by serving as managing director (as he was past the mandatory retirement age of 60 years), and that the bank was in fact 'an organ of the state'. The bank has denied all illegality, including noting that the law does not apply to age limits for non-commercial banks such as Grameen.



Throughout all this, bdnews24.com has acted as a cheerleader. Intriguingly, the site's executive editor, Khalidi, has another full-time job - as chief editor of Independent Television, a company owned by Prime Minister Hasina's private-sector investment adviser, Beximco's Salman Rahman. Rahman is also rumoured to be on the verge of buying a large amount of shares in the online company.



At any rate, in early January, the site published another high-profile, and highly critical, story on Yunus. This claimed that a two-decade-old contract between Grameen Bank and Yunus's family's printing company gave the 'poor borrowers' a job having nothing to do with its core business.' It further suggested that the family company had gained financially by the arrangement, alleging, for example, that the use of Grameen staff in the printing company was 'to boost dividends for the family business'.



However, beyond the question that it was clearly unwise for Yunus to have entered into any contract with his family, bdnews24.com's two central claims in the story were patently untrue. The printing work undertaken by the Yunus family's company assists the running of the core business of Grameen Bank - its only function is to print material for the bank. In addition, the arrangement has not, in the last 20 years, resulted in any family member receiving dividends or profits.



Whatever the truth of the matter, such coverage has helped to create a climate that has ostensibly legitimised a government decision to establish a wide-ranging enquiry into Grameen Bank, beginning in mid-January. Committee Chair Monwar Uddin Ahmed said that his committee will now look into the 'Overall functioning of Grameen Bank, and suggest how to improve functions of the bank in the future, and in that context look at all legal economic social dimensions of the bank. There is also provision for a special audit of Grameen Bank by the Bangladesh Bank.' Ahmed also noted that the committee would be looking at all Grameen 'sister organisations' and reviewing all recent news 'particularly about the Norwegian programme'.



Yunus has also become subject to legal harassment over three criminal cases. In January 2007, a member of the Jatiya Somajtantrik Dal (JSD), a small left-wing party, filed a criminal defamation case against Yunus for alleging, in an interview, that Bangladeshi politics was simply about 'the power to make money'. The JSD politician alleged that he had been defamed by this remark. For the past three years, the case had sat with a magistrate who had apparently taken no action, presumably because he realised there was no case to answer. But shortly after the new bdnews24.com report appeared, the magistrate issued a summons for Yunus to appear in court.



Some of the legal harassment seems to be clutching at straws. The other was a new case filed by a food inspector accusing Yunus of food adulteration, through a joint venture between four Grameen companies and the French food giant Danone. A food inspector is alleging that yogurt manufactured by the company was adulterated and is prosecuting a number of people, including Yunus as chairman of Grameen Danone. The legal basis for prosecution against a board member for such a matter is dubious.



Banking on 2026?

How this battle between Yunus and Hasina will end is far from certain. Despite commitments that the government inquiry will be objective and fair, it is clear that the intentions of the government towards Yunus are far from neutral. Prime Minister Hasina is reported to have told one visiting foreign dignitary that Yunus would not be allowed to remain as head of Grameen Bank, and that 'he should leave now.' Friends of Yunus are convinced that the prime minister intends to do whatever it takes to destroy his good name, and to remove him from the institution he founded. There seem to be indications that the government wants to take over Grameen Bank, though Grameen has stated that the government only owns 3.4 percent of the institution.



Prime Minister Hasina might be betting that both Yunus and Grameen Bank are vulnerable due to the former's weak links with Bangladesh's civil society. Yunus does not come from Bangladesh's elite, and has never ingratiated himself to it; further, many question whether he deserved the Nobel Peace Prize. Yet against this, Yunus remains an international statesman, and has support not only at the highest reaches of the US government, for one, but also among civil-society elites throughout much of the world.



'You have to realise that, on a scale of one to ten, if Yunus is close to ten in the eyes of international statesmen, the prime minister of Bangladesh is about one and a half,' says one former Bangladesh diplomat on condition of anonymity. 'Yunus can get meetings with anyone; the prime minister can't.' This both helps to explain Hasina's continuing resentment of Yunus, but also the difficulty the prime minister faces in her battle with the 'banker to the poor'. It remains unclear whether Hasina is really willing to risk the inevitable international backlash that would occur if her government ends up taking anything that is perceived as spiteful action against Yunus.



-- David Bergman is Editor, Special Reports of the daily newspaper, New Age, published from Dhaka.



Next >> Enemies of Noble Laureate Dr. Yunus

Sunday, March 13, 2011

Enemies of Nobel Laureate
Dr. Yunus




Noble Laureate Dr. Yunus

                When discussing an issue, is it intellectually honest if certain information is kept hidden, while some selected information is released? Why is it done by certain people? Is it their intention to mislead the uninitiated public into thinking their way ? Is it a desire to fool people and make them adopt their own viewpoints?



I will give a specific example to show you what tactics some people employ to present partial information to the public to advance their cause. You can then decide if the tactic employed is intellectually dishonest or not.


For example, in the recent barrage of attacks  unleashed on the brightest son of Bangladesh, Prime Minister   Sheikh Hasina, and her government's entire machinery started an ugly and vicious campaign to defame Nobel Peace Laureate Dr. Muhammad Yunus. One of the tactics employed is to publicize selected statements from articles to sway public opinions against the father of microcredit. The hope is that by mounting blatant misinformation campaign by virtue of publishing excerpts from some articles  while hiding other facts from the same articles, public sentiment could be driven against the brightest star  of Bangladesh who is revered worldwide as the Poor Man's Banker.  Here's an example of an excerpt that Hasina's followers chose to publicize :


"
In 1991, for example, Bangladesh ranked 136th on the UN Development Programme’s Human Development Index (a measure of societal well-being); 15 years later it ranked 137th. And aside from the shortage of data showing benefits, there is evidence that some microcredit programs may actually be harmful, plunging the poor deeper into debt."  - Harvard Business Review


Hasina's Brigade is going gaga over the above mentioned lines published in an edition of Harvard Business Review because, to them, it looks pretty damaging to the concept that Dr. Yunus have floated and perfected over the decades. And that is why they have decided to selectively take these lines and flash it to the world making sure that the name "Harvard" is seen by all. 


In reality, is it really damaging? Yes, it is damaging but for Hasina's Writing Squad only. It is not damaging to Dr. Yunus. Why not, you ask?


Well, you will be amused to learn that in the same article, authors Steve Beck and Tim Ogden , clearly and unequivocally stated:


"Don’t misunderstand: Microcredit can raise borrowers’ standard of living and help reduce poverty. In the past three years we’ve brokered investments in more than 150 carefully selected microcredit programs and have seen positive effects firsthand, including improved school enrollment, women’s empowerment, better nutrition, and increases in household incomes."
       For the full article :-)  Click here




Interesting, isn't it ? Question is why did Hasina's misinformation brigade forget to include these lines? Or was it intentional? I felt quite amused catching them red handed trying to pull a Hasina on their readers?


By the way, "pulling a Hasina" has a multitude of meanings:

  • Misleading
  • Lying, cheating
  • Stabbing on the back
  • Violating trust
etc.

Hasina has replaced the word Mir Zafor (traitor) in the Bangla vocabulary.




FIGURE: HASINA EXPOSED: Prime Minister Hasina mobilized the entire state machinery to demonize Dr.Muhammad Yunus. The Economist (a weekly) said, "Sheikh Hasina’s government has chosen to join the ignominious little club of governments who turn against their own Nobel peace-prize-winning citizens."



Now that we have exposed these not-so-kosher claims by Hasina's Writing Squad, let us turn our attention to the authors - why did the duo say something negative about microcredit ?



In order to understand that, all we need to know is that Harvard Business Review listed the authors as the Chief Executive Officer and Chief Knowledge Officer respectively of a philanthropic advisory firm!




Hmmm, now it is clear - these two authors want the donations for micro-credit programs to go through them !! They want to play an advisory role to the donors for a fee! Genius !!! Now I understand why on one hand they say how lives have improved due to micro-credit, and then on the other hand they scare the donors so that the advisory firm the authors are in charge of may be retained as adviser ! It is, therefore, crystal clear that these two authors were also trying to pull a Hasina on the donors' eyes! A picture perfect example of conflict of interest.


So far we have clearly pointed out two things:
  1. Dishonest misinformation campaign by publicizing selected quotes but hiding other quotes from the same article,  
  2. The true intention of the authors which is to earn money as advisers by stoking fear among donors.


 We will now examine the claim the authors made about Bangladesh's Ranking on Human Development Index by the United Nations Development Programme or UNDP. For that let us visit the official website of UNDP. Below is a chart I got from that site. Click the figures to enlarge.



Figure 1: Human Development Index (HDI) of Bangladesh obtained directly from the UNDP website . The chart clearly shows the rise of HDI of Bangladesh from mid 80s till date. The higher the number, the better. The lower line in Golden color is Bangladesh. Screenshot date: Sunday, March 13, 2011.




Just to have fun, lets look at another chart that shows the HDI of the U.S., Bangladesh and Zimbabwe.  Click to enlarge the chart.


Figure 2: In the above chart, the United States is shown in Blue. The line in red represents Zimbabwe. And the golden line represent Golden Bangladesh! This is directly from the UNDP website. From the chart it appears that Zimbabwe should urgently get into the micro-credit program, while the United States should consider it as well. Good thing is that Dr. Yunus' concept is also been embraced in the United States too. They know what a good thing is when they see one ;-)
Screenshot date: Sunday, March 13, 2011.



And if you would like to see other graphs comparing Bangladesh's growth with the world and its region, here it is:



Bangladesh - Country profile of human development indicators
Screenshot date: Sunday, March 13, 2011.




Here is the rest of the page that shows the graph that will make you the proudest if you love Bangladesh or have no animosity towards it. It clearly shows that the Human Development Index of Bangladesh is rising at a steady rate which is much better than the World and SE Asia. Bangladesh is shown in blue.


Bangladesh - Country profile of human development indicators. This graph is an excellent visual representation of the rise of HDI of Bangladesh compared to the south east region of the world as well as the world. Screenshot date: Sunday, March 13, 2011.

Grameen Bank was established in the early eighties. As one can see, the rise of HDI accelerated since 1990. 




If you want to know where to get that wonderful graph that will make you proud and happy for Bangladesh,  click here :-)



By now, the reader must have an understanding whether to label Hasina's Writing Squad as dishonest or not. Also, Members of Hasina's Writing Squad know now that they have lost few more on whom they cannot preach with misinformation. Hasina's Writing Sqaud of course will not stop and continue with their spreading of misinformation.



I have spent a fair amount of time to expose how the not-so-fair tactic is employed with the hope that the next time you see something like this again, you can easily recognize it. When you see it again, and see you will, just walk away with a grin.  They will know, "we know, we understand"  :-)



Resources:




Guest Authors Welcome. Please submit articles to this email address.





Saturday, March 5, 2011

How to Legally Smoke Anywhere and Everywhere!



Last December, I was waiting at Dubai Airport for my connecting flight to Dhaka. No need to mention that I was tired and was bored waiting there for my flight. Every now and then I would lift my head up to see people around me. Same people - everybody either rushing to catch a plane or somehow killing time for their flight. I look past them and to my surprise, I noticed a lady smoking a cigarette only a few chairs away from me!  I could not believe that she was smoking inside the terminal building. I was very surprised. After watching her smoke for a few minutes, I got confused. Why there was no smell of tobacco. And why so little smoke!


My curiosity compelled me to approach the woman. Wearing a smile, I asked her about her cigarette. I guess she read me very well and felt pity for all the confusion that I had on my face and could not hide. With a reassuring smile, she calmed my confusion but not my curiosity. She started to explain why that cigarette was not a cigarette in the traditional sense. She said that it was an electronic cigarette! Being an electrical engineer, my curiosity got even stronger. What is she talking about - electronic cigarette! Man, I have read about diodes and transistors, and what not, but electronic cigarettes!

Electronic Smokeless Cigarettes from SmokeStick™. Enter: ECIG10 get 10% Off!

Grow-up Plan



Unfortunately, the conversation had to come to an abrupt end when I realized that I had to run to catch my plane for the connecting flight. All the excitement of reaching home to friends and family drowned out the surprise that I felt when I saw the woman smoking something that I have never seen before. It remained dormant for a while until last night.


Yesterday evening, my fourteen year old was researching on the internet for school work. I was sitting at the next desk browsing the web as well and keeping an eye on him. That is when I accidentally came across a manufacturer that makes electronic cigarette. I even came across a video clip where a guest was smoking electronic cigarette at the Late Night show with David Letterman. Watch.


SmokeStik-Alternative Smoking



Electronic Cigarette  SmokeStik ™ Smokeless Cigarettes. Assembled in USA. SALE...Get 10% Off Today!


I instantly realized that many of my smoker friends could be interested in this type of device. I did a little bit more research. Rather than rehashing them here, if you want to read further you can click here.


Need To Quit Smoking? Smokeless, Harmless Cigarettes. Assembled in USA. SALE...GET 10% Off Today.

I myself have quit smoking more than a year ago. And I must say that it is better if someone can  quit smoking rather than take refuge in electronic smoking.

Is that a Laptop You Rolled!


Technology changes. And changes quite fast. As fast as our minds. Sometimes it leaves us in awe. Just visualize  a laptop. Now visualize you rolling the laptop screen like a piece of cloth. Hard to visualize without thinking of all the broken glasses, isn't it ? Without further ado, let's watch.

 
Thanks to Saiful Huda Fahim who brought this to my attention.




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Friday, March 4, 2011

Dr. Zafar Iqbal on Dr. Yunus

Dr. Zafar Iqbal on Dr. Yunus and the Controversy.


 āϏাāĻĻাāϏিāϧে āĻ•āĻĨা

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āĻŽুāĻšāĻŽ্āĻŽāĻĻ āϜাāĻĢāϰ āχāĻ•āĻŦাāϞ
āϤাāϰিāĻ–: ā§Ļā§Ģ-ā§Ļā§Š-⧍ā§Ļā§§ā§§





 

āϝাঁāϰা āĻĒ্āϰāĻĢেāϏāϰ āĻŽুāĻšাāĻŽ্āĻŽāĻĻ āχāωāύুāϏ, āĻ—্āϰাāĻŽীāĻŖ āĻŦ্āϝাংāĻ•, āĻŦাংāϞাāĻĻেāĻļ āϏāϰāĻ•াāϰ āĻāĻŦং āĻĻেāĻļেāϰ āφāχāύāĻ•াāύুāύ āύি⧟ে āύিāϰ্āĻŽোāĻš, āĻŦāϏ্āϤুāύিāώ্āĻ  āĻāĻŦং āύিāϰāĻĒেāĻ•্āώ āφāϞোāϚāύা āĻĒ⧜āϤে āϚাāύ, āϤাঁāĻĻেāϰ āĻ āϞেāĻ–াāϟি āĻĒ⧜াāϰ āĻĒ্āϰ⧟োāϜāύ āύেāχ। āĻāϟি āϏে āϰāĻ•āĻŽ āĻāĻ•āϟি āϞেāĻ–া āύ⧟, āĻāϟি āĻĒ্āϰāĻĢেāϏāϰ āĻŽুāĻšাāĻŽ্āĻŽāĻĻ āχāωāύূāϏāĻ•ে āĻ…āϏāĻŽ্āĻ­āĻŦ āĻĒāĻ›āύ্āĻĻ āĻ•āϰে, āϏে āϰāĻ•āĻŽ āĻāĻ•āϜāύ āĻŽাāύুāώেāϰ āĻ…āϤ্āϝāύ্āϤ āĻĒāĻ•্āώāĻĒাāϤāĻĻুāώ্āϟ āĻāĻ•āϟি āϞেāĻ–া।


āφāĻŽি āĻĒ্āϰāĻĢেāϏāϰ āĻŽুāĻšাāĻŽ্āĻŽāĻĻ āχāωāύূāϏāĻ•ে āĻ…āϏāĻŽ্āĻ­āĻŦ āĻĒāĻ›āύ্āĻĻ āĻ•āϰি āĻāĻŦং āϤাāϰ āϚে⧟ে āĻŦেāĻļি āϏāĻŽ্āĻŽাāύ āĻ•āϰি। āφāĻŽি āϜাāύি, āĻ āĻĻেāĻļে āφāĻŽাāϰ āĻŽāϤো āĻ āϰāĻ•āĻŽ āĻŽাāύুāώেāϰ āĻ•োāύো āĻ…āĻ­াāĻŦ āύেāχ। āĻŽāύে āφāĻ›ে, āĻĒ্āϰāĻĢেāϏāϰ āĻŽুāĻšাāĻŽ্āĻŽāĻĻ āχāωāύূāϏেāϰ āύোāĻŦেāϞ āĻĒুāϰāϏ্āĻ•াāϰ āĻĒাāĻ“ā§Ÿাāϰ āĻ–āĻŦāϰāϟি āĻĒে⧟ে āφāĻŽি āφāύāύ্āĻĻে āĻ•াāĻŖ্āĻĄāϜ্āĻžাāύāĻšীāύ āĻŽাāύুāώেāϰ āĻŽāϤো āϚেঁāϚাāĻŽেāϚি āĻ•āϰেāĻ›িāϞাāĻŽ। āĻ•্āϰিāĻ•েāϟ āĻŦাংāϞাāĻĻেāĻļ āϟিāĻŽ āϝāĻ–āύ āĻĒাāĻ•িāϏ্āϤাāύ, āĻ­াāϰāϤ, āĻ…āϏ্āϟ্āϰেāϞি⧟া āĻŦা āύিāωāϜিāϞ্āϝাāύ্āĻĄেāϰ āĻŽāϤো āϟিāĻŽāĻ•ে āĻšাāϰা⧟, āϤāĻ–āύ āϟেāϞিāĻ­িāĻļāύেāϰ āϏাāĻŽāύে āϞাāĻĢāĻাঁāĻĒ āĻĻি⧟ে āφāύāύ্āĻĻে āϚিā§ŽāĻ•াāϰ āĻ•āϰা āĻ…āϏ্āĻŦাāĻ­াāĻŦিāĻ• āĻ•িāĻ›ু āύ⧟। āĻ•িāύ্āϤু āĻāĻ•āϟি āĻ–āĻŦāϰ āĻļুāύে āφāύāύ্āĻĻে āϞাāĻĢāĻাঁāĻĒ āĻĻি⧟ে āϚিā§ŽāĻ•াāϰ āĻ•āϰাāϰ āϘāϟāύা āφāĻŽাāϰ āϜীāĻŦāύে āĻ–ুāĻŦ āĻŦেāĻļি āϘāϟেāύি। āφāĻŽাāϰ āĻāĻ•āϜāύ āĻĒāϰিāϚিāϤ āĻŽাāύুāώ āύোāĻŦেāϞ āĻĒুāϰāϏ্āĻ•াāϰ āĻĒে⧟েāĻ›েāύ, āϏেāϟি āφāύāύ্āĻĻেāϰ āĻ•াāϰāĻŖ āĻ›িāϞ āύা, āφāύāύ্āĻĻেāϰ āĻ•াāϰāĻŖ āĻ›িāϞ āĻāĻ• āϧাāĻ•্āĻ•া⧟ āĻŦাংāϞাāĻĻেāĻļেāϰ āĻŽāϰ্āϝাāĻĻাāϰ āϜা⧟āĻ—াāϟি āĻ…āύেāĻ• āωঁāϚুāϤে āωāĻ ে āϝাāĻ“ā§ŸাāϟুāĻ•ু। āϝাঁāϰা āϜীāĻŦāύেāϰ āĻāĻ•āϟা āĻ…ংāĻļ āĻŦিāĻĻেāĻļেāϰ āĻŽাāϟিāϤে āĻ•াāϟি⧟ে āĻāϏেāĻ›েāύ, āĻļুāϧু āϤাঁāϰাāχ āϜাāύেāύ āφāĻŽাāĻĻেāϰ āĻĒ্āϰি⧟ āĻŽাāϤৃāĻ­ূāĻŽিāϟিāĻ•ে āĻŦিāĻĻেāĻļেāϰ āĻŽাāϟিāϤে āĻ•ী āύিāώ্āĻ ুāϰāĻ­াāĻŦে āϤাāϚ্āĻ›িāϞ্āϝ āĻāĻŦং āĻ…āϏāĻŽ্āĻŽাāύেāϰ āϏāĻ™্āĻ—ে āωāĻĒāϏ্āĻĨাāĻĒāύ āĻ•āϰা āĻšā§Ÿ āĻāĻŦং āĻĒ্āϰāĻĢেāϏāϰ āĻŽুāĻšাāĻŽ্āĻŽāĻĻ āχāωāύূāϏ āĻāĻ•া āϏেāϟিāĻ•ে āĻ•āϤ āĻŦ⧜ āĻāĻ•āϟি āĻŽāϰ্āϝাāĻĻাāϰ āφāϏāύে āύি⧟ে āĻ—েāĻ›েāύ।


āĻ•িāĻ›ুāĻĻিāύ āφāĻ—ে āĻ“ā§ŸাāϞ āϏ্āϟ্āϰিāϟ āϜাāϰ্āύাāϞে āĻŦাংāϞাāĻĻেāĻļেāϰ āĻ“āĻĒāϰ āĻ–ুāĻŦ āϚāĻŽā§ŽāĻ•াāϰ āĻāĻ•āϟা āϰিāĻĒোāϰ্āϟ āĻ›াāĻĒা āĻšā§ŸেāĻ›িāϞ, āϏেāĻ–াāύে āĻŦাংāϞাāĻĻেāĻļ āĻ“ āĻĒাāĻ•িāϏ্āϤাāύেāϰ āĻŽাāύুāώেāϰ āĻŽাāύāϏিāĻ•āϤাāϰ āϏ্āĻŦāϰূāĻĒ āĻŦোāĻাāύোāϰ āϜāύ্āϝ āϞেāĻ–া āĻšā§ŸেāĻ›িāϞ, āĻĒাāĻ•িāϏ্āϤাāύেāϰ āϜāύāĻ—āĻŖেāϰ āĻ•াāĻ›ে āϜাāϤী⧟ āĻŦীāϰ āĻšāϚ্āĻ›েāύ āĻĻুāϰ্āĻŦৃāϤ্āϤ (ā§Žogue) āύিāωāĻ•্āϞি⧟াāϰ āĻŦিāϜ্āĻžাāύী āφāĻŦāĻĻুāϞ āĻ•াāĻĻিāϰ āĻ–াāύ, āϝিāύি āĻŦেāφāχāύিāĻ­াāĻŦে āĻĻেāĻļে-āĻŦিāĻĻেāĻļে āύিāωāĻ•্āϞি⧟াāϰ āĻ…āϏ্āϤ্āϰ āϚোāϰাāϚাāϞাāύি āĻ•āϰেāύ āφāϰ āĻŦাংāϞাāĻĻেāĻļেāϰ āϜাāϤী⧟ āĻŦীāϰ āĻšāϚ্āĻ›েāύ āĻļাāύ্āϤিāϤে āύোāĻŦেāϞ āĻĒুāϰāϏ্āĻ•াāϰ āĻŦিāϜ⧟ী āĻĒ্āϰāĻĢেāϏāϰ āĻŽুāĻšাāĻŽ্āĻŽāĻĻ āχāωāύূāϏ, āϝিāύি āĻ•্āώুāĻĻ্āϰāĻ‹āĻŖ āĻĻি⧟ে āĻĻāϰিāĻĻ্āϰ āύাāϰীāĻĻেāϰ āϏাāĻšাāϝ্āϝ āĻ•āϰেāύ।


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āϏেāχ āĻĒ্āϰāĻĢেāϏāϰ āĻŽুāĻšাāĻŽ্āĻŽāĻĻ āχāωāύূāϏāĻ•ে āĻ āĻĻেāĻļেāϰ āϏāϰāĻ•াāϰ āĻ–ুāĻŦ āĻ াāύ্āĻĄা āĻŽাāĻĨা⧟ āĻĒāϰিāĻ•āϞ্āĻĒāύা āĻ•āϰে āĻšেāύāϏ্āĻĨা āĻ•āϰāϤে āĻļুāϰু āĻ•āϰেāĻ›ে। āĻāϟি āύিāĻļ্āϚ⧟āχ āφāĻ“ā§ŸাāĻŽী āϞীāĻ—েāϰ āĻ…āϤ্āϝāύ্āϤ āĻ—ুāϰুāϤ্āĻŦāĻĒূāϰ্āĻŖ āĻāĻ•āϟি āĻāϜেāύ্āĻĄা āĻ›িāϞ āĻāĻŦং āφāĻ—ে āĻšোāĻ• āĻĒāϰে āĻšোāĻ•, āĻāϟি āύিāĻļ্āϚ⧟āχ āĻļুāϰু āĻšāϤো। āĻ—āϤ āĻĄিāϏেāĻŽ্āĻŦāϰ āĻŽাāϏে āύāϰāĻ“ā§Ÿেāϰ āĻāĻ•āϟি āϟেāϞিāĻ­িāĻļāύ āĻ…āύুāώ্āĻ াāύ āĻāχ āĻšেāύāϏ্āĻĨাāĻ•āϰāĻŖ-āĻĒ্āϰāĻ•্āϰি⧟া āĻļুāϰু āĻ•āϰাāϰ āϚāĻŽā§ŽāĻ•াāϰ āĻāĻ•āϟা āϏুāϝোāĻ— āĻ•āϰেāĻ›িāϞ। āύāĻŦ্āĻŦāĻ‡ā§Ÿেāϰ āĻĻāĻļāĻ•ে āύিāώ্āĻĒāϤ্āϤি āĻšā§Ÿে āϝাāĻ“ā§Ÿা āϏেāχ āĻŦিāώ⧟āϟিāϰ āϏূāϤ্āϰ āϧāϰে āĻĒ্āϰāĻĨāĻŽেāχ āφāĻŽাāĻĻেāϰ āĻĒ্āϰāϧাāύāĻŽāύ্āϤ্āϰী āĻĒ্āϰāĻĢেāϏāϰ āĻŽুāĻšাāĻŽ্āĻŽāĻĻ āχāωāύূāϏāĻ•ে āύি⧟ে āĻāĻŽāύ āĻ•āĻ োāϰ āĻ­াāώা⧟ āĻ•িāĻ›ু āĻŦāĻ•্āϤāĻŦ্āϝ āĻĻিāϞেāύ, āϝেāϟি āĻļুāύে āĻāχ āĻĻেāĻļেāϰ āĻ•াāĻŖ্āĻĄāϜ্āĻžাāύāϏāĻŽ্āĻĒāύ্āύ āĻĒ্āϰāϤ্āϝেāĻ•āϟি āĻŽাāύুāώ āĻšāϤāĻŦাāĻ• āĻšā§Ÿে āĻ—েāϞ। āφāĻŽাāĻĻেāϰ āϏংāϏ্āĻ•ৃāϤিāϤে āφāĻŽāϰা āϏāĻŽ্āĻŽাāύী āĻŽাāύুāώেāϰ, āĻŦিāĻļেāώ āĻ•āϰে āĻŦ⧟োāϜ্āϝেāώ্āĻ  āϏāĻŽ্āĻŽাāύী āĻŽাāύুāώেāϰ āϏāĻŽ্āĻŽাāύ āϰāĻ•্āώা āĻ•āϰে āĻ•āĻĨা āĻŦāϞি, āϤাāχ āĻĒ্āϰāϧাāύāĻŽāύ্āϤ্āϰীāϰ āϏেāχ āĻ•āĻĨাāĻ—ুāϞো āĻ āĻĻেāĻļেāϰ āĻ…āύেāĻ• āĻŽাāύুāώāĻ•ে āĻ…āϤ্āϝāύ্āϤ āĻŦ্āϝāĻĨিāϤ āĻ•āϰেāĻ›িāϞ। āφāĻŽাāĻĻেāϰ āĻ…āϰ্āĻĨāĻŽāύ্āϤ্āϰী āĻĒ্āϰāĻĨāĻŽে āϝৌāĻ•্āϤিāĻ•āĻ­াāĻŦে āĻ•িāĻ›ু āĻ•āĻĨা āĻŦāϞāϞেāύ, āĻ•িāύ্āϤু āύিāĻļ্āϚ⧟āχ āϤāĻ–āύ āϤাঁāĻ•ে āϰূā§ āĻ­াāώা⧟ āĻ•āĻĨা āĻŦāϞাāϰ āϜāύ্āϝ āϚাāĻĒ āĻĻেāĻ“ā§Ÿা āĻšāϞো āĻāĻŦং āϤāĻ–āύ āϤিāύিāĻ“ āĻāĻ•āχ āĻ­াāώা⧟ āĻ•āĻĨা āĻŦāϞāϤে āĻļুāϰু āĻ•āϰāϞেāύ। āϏাāϧাāϰāĻŖāĻ­াāĻŦে āĻŦাঁāĻļেāϰ āϚাāχāϤে āĻ•āĻž্āϚি āĻŦ⧜ āĻšā§Ÿে āĻĨাāĻ•ে, āϤাāχ āϏāĻŦāϚে⧟ে āĻ•āĻĻāϰ্āϝāĻ­াāĻŦে āĻ•āĻĨা āĻŦāϞāϤে āĻļুāϰু āĻ•āϰāϞ āĻ›াāϤ্āϰāϞীāĻ—। āϤাāĻĻেāϰ āĻ•āĻĨাāĻ—ুāϞো āϞেāĻ–াāϰ āĻŽāϤো āύ⧟, āϝāϤ āĻĻূāϰ āĻŽāύে āĻĒ⧜ে, āϤাāϰা āύোāĻŦেāϞ āĻĒুāϰāϏ্āĻ•াāϰ āĻ•ে⧜ে āύেāĻ“ā§Ÿাāϰ āĻšুāĻŽāĻ•িāĻ“ āĻĻিāϤে āĻĨাāĻ•ে। āĻŽৌāĻ–িāĻ• āĻ–িāϏ্āϤিāϰ āĻĒāϰ āφāĻŽāϰা āϰাāώ্āϟ্āϰী⧟ āĻšেāύāϏ্āĻĨাāϰ āϏ্āĻŦāϰূāĻĒāϟি āĻĻেāĻ–āϤে āĻĒেāϞাāĻŽ। āĻŦাংāϞাāĻĻেāĻļেāϰ āφāύাāϚāĻ•াāύাāϚে āĻĒ্āϰāĻĢেāϏāϰ āĻŽুāĻšাāĻŽ্āĻŽāĻĻ āχāωāύূāϏেāϰ āύাāĻŽে āĻŽাāĻŽāϞা āĻšāϤে āϞাāĻ—āϞ āĻāĻŦং āφāĻŽāϰা āĻĻেāĻ–āϤে āĻĒেāϞাāĻŽ, āĻĒ্āϰāĻĢেāϏāϰ āχāωāύূāϏ āϏাāϰা āĻĻেāĻļে āĻ›োāϟাāĻ›ুāϟি āĻ•āϰে āϏেāχ āĻŽাāĻŽāϞাāϰ āϜাāĻŽিāύ āύেāĻ“ā§Ÿাāϰ āϚেāώ্āϟা āĻ•āϰāĻ›েāύ। āϝে āĻŽাāύুāώāϟি āϏাāϰা āĻĒৃāĻĨিāĻŦীāϰ āϏāĻŦāϚে⧟ে āϏāĻŽ্āĻŽাāύী āĻŽাāύুāώāĻĻেāϰ āĻāĻ•āϜāύ, āϤাঁāĻ•ে āϤাঁāϰ āĻĻেāĻļেāϰ āϏāϰāĻ•াāϰ āĻ āϰāĻ•āĻŽāĻ­াāĻŦে āĻ…āϏāĻŽ্āĻŽাāύ āĻ•āϰāϤে āĻĒাāϰে, āϏেāϟি āύিāϜেāϰ āϚোāĻ–ে āĻĻেāĻ–েāĻ“ āĻŦিāĻļ্āĻŦাāϏ āĻšāϤে āϚা⧟ āύা। āφāϜāĻ•েāϰ (āĻŦৃāĻšāϏ্āĻĒāϤিāĻŦাāϰ) āĻ–āĻŦāϰেāϰ āĻ•াāĻ—āϜে āĻĻেāĻ–েāĻ›ি, āϏāϰāĻ•াāϰ āϤাঁāĻ•ে āĻ—্āϰাāĻŽীāĻŖ āĻŦ্āϝাংāĻ• āĻĨেāĻ•ে āĻ…āĻĒāϏাāϰāĻŖ āĻ•āϰেāĻ›ে। āφāĻŽি āύিāĻļ্āϚিāϤ, āϏāϰāĻ•াāϰেāϰ āĻĒāĻ•্āώ āĻĨেāĻ•ে āύাāύা āϰāĻ•āĻŽ āφāχāύāĻ•াāύুāύ āĻĻেāĻ–াāύো āĻšāĻŦে, āĻ•িāύ্āϤু āĻĒুāϰো āĻŦিāώ⧟āϟি āĻāĻŽāύāĻ­াāĻŦে āϘāϟে āĻāϏেāĻ›ে āϝে, āφāĻŽি āĻŦাāϜি āϧāϰে āĻŦāϞāϤে āĻĒাāϰি, āĻ āĻĻেāĻļেāϰ āϏাāϧাāϰāĻŖ āĻŽাāύুāώ āφāϰ āϏেāĻ—ুāϞো āĻŦিāĻļ্āĻŦাāϏ āĻ•āϰāĻŦে āύা। āϤাāϰা āϧāϰেāχ āύেāĻŦে, āĻāϟি āĻšāϚ্āĻ›ে āĻĒ্āϰāĻĢেāϏāϰ āĻŽুāĻšাāĻŽ্āĻŽāĻĻ āχāωāύূāϏāĻ•ে āĻšেāύāϏ্āĻĨা āĻ•āϰাāϰ āφāϰāĻ“ āĻāĻ•āϟি āϧাāĻĒ, āĻļāϤ āĻšাāχāĻ•োāϰ্āϟ āĻĻেāĻ–ি⧟ে āϏাāϧাāϰāĻŖ āĻŽাāύুāώāĻ•ে āϤাāĻĻেāϰ āĻŦিāĻļ্āĻŦাāϏ āĻĨেāĻ•ে āϟāϞাāύো āϝাāĻŦে āύা।


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āĻ āĻ–āĻŦāϰāϟি āĻ…āĻŦিāĻļ্āĻŦাāϏ্āϝ āĻĻ্āϰুāϤāϤা⧟ āĻāĻŦং āĻ…āĻŦিāĻļ্āĻŦাāϏ্āϝ āĻ—ুāϰুāϤ্āĻŦেāϰ āϏāĻ™্āĻ—ে āϏাāϰা āĻĒৃāĻĨিāĻŦীāϤে āĻ›ā§œি⧟ে āĻĒ⧜āĻ›ে। āĻŦেāĻļ āĻ•ā§ŸেāĻ• āĻŦāĻ›āϰ āφāĻ—ে āϜেāĻāĻŽāĻŦি āϝāĻ–āύ āϏাāϰা āĻĻেāĻļে āĻāĻ•āϏāĻ™্āĻ—ে āĻŦোāĻŽা āĻĢাāϟি⧟েāĻ›িāϞ, āϤāĻ–āύ āĻĻেāĻļেāϰ āĻ–ুāĻŦ āĻŦ⧜ āĻāĻ•āϟা āĻ•্āώāϤি āĻšā§ŸেāĻ›িāϞ, āĻĒৃāĻĨিāĻŦীāϰ āĻ…āύেāĻ•েāχ āϧāϰে āύি⧟েāĻ›িāϞ, āφāĻŽাāĻĻেāϰ āĻĻেāĻļāϟি āĻŦুāĻি āϜāĻ™্āĻ—িāĻĻেāϰ। āĻ…āύেāĻ• āĻĻিāύ āĻĒāϰ āφāĻŦাāϰ āĻĻেāĻļেāϰ āĻ–ুāĻŦ āĻŦ⧜ āĻāĻ•āϟা āĻ•্āώāϤি āĻšāϞো, āϏাāϰা āĻĒৃāĻĨিāĻŦী āϧāϰে āύিāϞ, āĻ āĻĻেāĻļেāϰ āϏāϰāĻ•াāϰ āĻšāϚ্āĻ›ে āĻ…āĻ•ৃāϤāϜ্āĻž āĻ“ āĻĒ্āϰāϤিāĻšিংāϏাāĻĒāϰা⧟āĻŖ। āϝে āĻŽাāύুāώāϟি āĻ āĻĻেāĻļেāϰ āĻŽāϰ্āϝাāĻĻা āϏাāϰা āĻĒৃāĻĨিāĻŦীāϰ āϏাāĻŽāύে āωঁāϚু āĻ•āϰেāĻ›েāύ, āĻ āĻĻেāĻļেāϰ āϏāϰāĻ•াāϰ āϤাāϰ āĻĒুāϰো āϰাāώ্āϟ্āϰāϝāύ্āϤ্āϰ āĻŦ্āϝāĻŦāĻšাāϰ āĻ•āϰāĻ›ে āϤাঁāĻ•ে āĻ…āϏāĻŽ্āĻŽাāύ āĻ•āϰাāϰ āϜāύ্āϝ!


āĻĒ্āϰāĻĢেāϏāϰ āĻŽুāĻšাāĻŽ্āĻŽāĻĻ āχāωāύূāϏেāϰ āĻ—্āϰাāĻŽীāĻŖ āĻŦ্āϝাংāĻ• āĻāĻŦং āĻ•্āώুāĻĻ্āϰāĻ‹āĻŖ āĻĒ্āϰāĻ•āϞ্āĻĒ āύি⧟ে āĻ…āύেāĻ• āφāϞোāϚāύা-āϏāĻŽাāϞোāϚāύা āĻšā§Ÿ। āĻāϰ āĻĒāĻ•্āώে-āĻŦিāĻĒāĻ•্āώে āĻ…āύেāĻ• āĻŽাāύুāώ। āφāĻŽাāĻĻেāϰ āϏāĻŦাāϰāχ āχāϚ্āĻ›ে, āĻ āĻŦিāώ⧟ āύি⧟ে āĻ—āĻŦেāώāĻŖা āĻšোāĻ•, āϤāĻĨ্āϝ-āωāĻĒাāϤ্āϤ āĻĻি⧟ে āϝুāĻ•্āϤিāĻĒূāϰ্āĻŖ āφāϞোāϚāύা āĻšোāĻ• āĻāĻŦং āĻ­েāϤāϰেāϰ āϏāϤ্āϝāϟুāĻ•ু āĻŦেāϰ āĻšোāĻ•। āĻ•āϤāϟুāĻ•ু āφāĻļাāϰ āĻŦ্āϝাāĻĒাāϰ, āĻ•āϤāϟুāĻ•ু āϏ্āĻŦāĻĒ্āύ, āĻ•āϤāϟুāĻ•ু āĻŦাāϏ্āϤāĻŦ āĻāĻŦং āĻ•āϤāϟুāĻ•ু āĻ…āĻŦাāϏ্āϤāĻŦ, āϏেāχ āϤāĻĨ্āϝāĻ—ুāϞো āφāĻŽাāĻĻেāϰ āϏাāĻŽāύে āĻĒ্āϰāĻ•াāĻļিāϤ āĻšোāĻ•, āĻ•িāύ্āϤু āϤাāϰ āĻŽাāύে āĻ•ি āĻāχ āĻŦিāώ⧟েāϰ āϏ্āĻŦāĻĒ্āύāĻĻ্āϰāώ্āϟাāĻ•ে āĻ…āϏāĻŽ্āĻŽাāύ āĻ•āϰা āĻšāĻŦে? āĻāĻŦং āĻāϤ āϏ্āĻĨূāϞāĻ­াāĻŦে?


āϏāϤ্āϤāϰ āĻ“ āφāĻļিāϰ āĻĻāĻļāĻ•ে āĻŦাংāϞাāĻĻেāĻļ āĻĒৃāĻĨিāĻŦীāϰ āϏাāĻŽāύে āĻĒāϰিāϚিāϤ āĻšāϤো āĻŦāĻ™্āĻ—āĻŦāύ্āϧু āĻļেāĻ– āĻŽুāϜিāĻŦুāϰ āϰāĻšāĻŽাāύেāϰ āύাāĻŽে। āĻāχ āϏāϰāĻ•াāϰ āĻŦিāĻļ্āĻŦাāϏ āĻ•āϰুāĻ• āφāϰ āύা-āχ āĻ•āϰুāĻ•, āĻāχ āĻĻāĻļāĻ•ে āĻĒৃāĻĨিāĻŦীāϤে āĻŦাংāϞাāĻĻেāĻļ āĻĒāϰিāϚিāϤ āĻšā§Ÿ āĻĒ্āϰāĻĢেāϏāϰ āĻŽুāĻšাāĻŽ্āĻŽāĻĻ āχāωāύূāϏāĻ•ে āĻĻি⧟ে। āĻ•াāϜেāχ āϝāĻ–āύ āĻ āĻĻেāĻļে āĻĒ্āϰāĻĢেāϏāϰ āĻŽুāĻšাāĻŽ্āĻŽāĻĻ āχāωāύূāϏāĻ•ে āĻ…āϏāĻŽ্āĻŽাāύ āĻ•āϰা āĻšā§Ÿ, āϤāĻ–āύ āϝে āĻŦাংāϞাāĻĻেāĻļāĻ•েāχ āĻĒৃāĻĨিāĻŦীāϰ āϏাāĻŽāύে āĻ…āϏāĻŽ্āĻŽাāύ āĻ•āϰা āĻšā§Ÿ, āϏেāχ āϏāĻšāϜ āĻ•āĻĨাāϟি āĻ•ি āĻāχ āϏāϰāĻ•াāϰেāϰ āĻ­েāϤāϰ āĻ•েāω āϜাāύে āύা?


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 āĻĒ্āϰāĻ•াāĻļ্āϝে āĻĨুāĻĨু āĻĢেāϞা āĻ…āĻļোāĻ­āύ āĻ•াāϜ। āϝāĻĻি āĻĢেāϞāϤেāχ āĻšā§Ÿ, āϤাāĻšāϞে āύিāϚেāϰ āĻĻিāĻ•ে āĻĢেāϞāϤে āĻšā§Ÿ। āĻ•āĻ–āύোāχ āĻ“āĻĒāϰেāϰ āĻĻিāĻ•ে āĻ•াāωāĻ•ে āϞāĻ•্āώ্āϝ āĻ•āϰে āĻĨুāĻĨু āĻĢেāϞāϤে āĻšā§Ÿ āύা। āϤাāĻšāϞে āĻ…āĻŦāϧাāϰিāϤāĻ­াāĻŦে āϏেāχ āĻĨুāĻĨু āύিāϜেāϰ āĻŽুāĻ–েāϰ āĻ“āĻĒāϰ āĻāϏে āĻĒ⧜ে।


āĻāχ āϏāϰāĻ•াāϰ āĻ•ি āϜাāύে, āϤাāϰা āĻŽুāĻ– āĻ“āĻĒāϰেāϰ āĻĻিāĻ•ে āĻ•āϰে āĻĨুāĻĨু āĻĢেāϞāĻ›ে?


āĻŽুāĻšāĻŽ্āĻŽāĻĻ āϜাāĻĢāϰ āχāĻ•āĻŦাāϞ: āϞেāĻ–āĻ•। āĻ…āϧ্āϝাāĻĒāĻ•, āĻļাāĻšāϜাāϞাāϞ āĻŦিāϜ্āĻžাāύ āĻ“ āĻĒ্āϰāϝুāĻ•্āϤি āĻŦিāĻļ্āĻŦāĻŦিāĻĻ্āϝাāϞ⧟।

Source: Prothom-Alo

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More Humor: New Seat Belt Law
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Source: Prothom Alo

Tuesday, March 1, 2011

āĻ•্āϰিāĻ•েāϟ: āϘāϰেāϰ āĻŽাāĻে āĻŦিāĻļ্āĻŦāϰূāĻĒ

by Guest Writer Kamrul Hassan






āĻ•াāĻŽāϰুāϞ āĻšাāϏাāύ




āĻ•্āϰিāĻ•েāϟ: āϘāϰেāϰ āĻŽাāĻে āĻŦিāĻļ্āĻŦāϰূāĻĒ


āĻĢেāĻŦ্āϰু⧟াāϰি ⧍ā§Ģ, ⧍ā§Ļā§§ā§§


āĻŦিāĻļ্āĻŦāĻ•াāĻĒ āĻ•্āϰিāĻ•েāϟেāϰ āϜāĻŽāϜāĻŽাāϟ āφāϏāϰ āĻŦāϏেāĻ›ে āĻ­াāϰāϤী⧟ āωāĻĒāĻŽāĻšাāĻĻেāĻļে, ā§§ā§­āχ āĻĢেāĻŦ্āϰু⧟াāϰী āϝাāϰ āĻŦāϰ্āĻŖাāĻĸ্āϝ āωāĻĻ্āĻŦোāϧāύ āĻšā§Ÿে āĻ—েāϞ āĻĸাāĻ•াāϰ āĻŦāĻ™্āĻ—āĻŦāύ্āϧু āϜাāϤী⧟ āϏ্āϟেāĻĄি⧟াāĻŽে। ⧧⧝⧝ā§Ŧ āϏাāϞেāϰ āĻĒāϰ āĻāχ āĻĻ্āĻŦিāϤী⧟āĻŦাāϰ āωāĻĒāĻŽāĻšাāĻĻেāĻļে āĻŦিāĻļ্āĻŦāĻ•াāĻĒ āĻ•্āϰিāĻ•েāϟ āĻĢিāϰে āĻāϞ। āϐ āĻŦāĻ›āϰ āωāĻĒāĻŽāĻšাāĻĻেāĻļেāϰāχ āĻāĻ•āϟি āĻĻেāĻļ – āĻļ্āϰীāϞāĻ™্āĻ•া – āĻ•াāĻĒāϟি āϜিāϤেāĻ›িāϞ। āĻāϰ āĻ িāĻ• āϤেāϰ āĻāĻŦং āϚাāϰ āĻŦāĻ›āϰ āφāĻ—ে āĻ•াāĻĒāϟি āϜিāϤেāĻ›িāϞ āϝāĻĨাāĻ•্āϰāĻŽে āĻ­াāϰāϤ āĻ“ āĻĒাāĻ•িāϏ্āϤাāύ। āϝেāĻšেāϤু āϟেāϏ্āϟ āĻ•্āϰিāĻ•েāϟেāϰ āĻ•োāύ āĻŦিāĻļ্āĻŦ āĻĒ্āϰāϤিāϝোāĻ—িāϤা āύেāχ, āϤাāχ āϏীāĻŽিāϤ āĻ“āĻ­াāϰেāϰ āĻāχ āĻāĻ•āĻĻিāύেāϰ āĻ•্āϰিāĻ•েāϟ āĻŦিāĻļ্āĻŦāĻ•াāĻĒāχ āϏāĻŦāϚে⧟ে āĻŽāϰ্āϝাāĻĻাāĻĒূāϰ্āĻŖ āĻĒ্āϰāϤিāϝোāĻ—িāϤা। āĻāĻŽāύিāϤে āϏাāϰা āĻĻুāύি⧟া⧟ āĻ•্āϰিāĻ•েāϟ āĻ–েāϞে āĻšাāϤে āĻ—োāύা āĻ•ā§ŸেāĻ•āϟি āĻĻেāĻļ। āĻĢুāϟāĻŦāϞ āϝেāĻ­াāĻŦে āĻŦিāĻļ্āĻŦāĻŦ্āϝাāĻĒী āϚāϰ্āϚ্āϚিāϤ āĻāĻ•āϟি āĻ–েāϞা, āĻ•্āϰিāĻ•েāϟ āϏেāϰূāĻĒ āύ⧟। āφāϰো āĻ…āύেāĻ• āĻ–েāϞাāϰ āĻŽāϤāχ āĻ•্āϰিāĻ•েāϟ āφāĻŦিāϏ্āĻ•ৃāϤ āĻšā§ŸেāĻ›িāϞ āχংāϞ্āϝাāĻŖ্āĻĄে। āĻĒ্āϰাāĻ•্āϤāύ āĻŦ্āϰিāϟিāĻļ āϏাāĻŽ্āϰাāϜ্āϝেāϰ āĻ…āύ্āϤāϰ্āĻ­ুāĻ•্āϤ āĻĻেāĻļāĻ—ুāϞোāϤেāχ āϤা āϟিāĻ•ে āφāĻ›ে, āϰাāϜাāϰ āĻĻেāĻļāϟিāϤো āφāĻ›েāχ, āφāϰ āϝেāϏāĻŦ āĻĻেāĻļ āφāĻ›ে āϏেāĻ—ুāϞো āĻšāϞ āϐ āϰাāϜাāϰ āĻĻেāĻļেāϰ āĻ­ূāϤāĻĒূāϰ্āĻŦ āωāĻĒāύিāĻŦেāĻļ। āĻŽূāϞāϤঃ āĻ•্āϰিāĻ•েāϟ āĻāĻ–āύো āĻšাāϰাāύো āĻŦ্āϰিāϟিāĻļ āϏাāĻŽ্āϰাāϜ্āϝ āĻ“ āĻāϰ āϞুāĻĒ্āϤ āĻĒ্āϰāϤাāĻĒেāϰ āĻ›া⧟াāĻŽূāϰ্āϤি āĻ“ āĻĒ্āϰāϤীāĻ• āĻšā§Ÿে āĻĻাঁ⧜ি⧟ে āφāĻ›ে, āϐ āĻ•āĻŽāύāĻ“ā§ŸেāϞāĻĨ āĻ—েāĻŽāϏেāϰ āĻŽāϤāχ। āĻāĻŦাāϰ āϤিāύāϟি āĻĻেāĻļ āĻŽিāϞিāϤāĻ­াāĻŦে āĻāϰ āĻ†ā§ŸোāϜāĻ• – āĻŦাংāϞাāĻĻেāĻļ, āĻ­াāϰāϤ āĻ“ āĻļ্āϰীāϞāĻ™্āĻ•া। āĻĒ্āϰাāĻĨāĻŽিāĻ• āϤাāϞিāĻ•া⧟ āĻĒাāĻ•িāϏ্āϤাāύ āĻĨাāĻ•āϞেāĻ“ āĻļ্āϰীāϞāĻ™্āĻ•াāύ āĻ•্āϰিāĻ•েāϟাāϰāĻĻেāϰ āωāĻĒāϰ āϜāĻ™্āĻ—ীāĻĻেāϰ āϏāύ্āϤ্āϰাāϏী āĻšাāĻŽāϞাāϰ āĻĒāϰিāĻĒ্āϰেāĻ•্āώিāϤে āĻĒাāĻ•িāϏ্āϤাāύāĻ•ে āύিāϰাāĻĒāĻĻ āĻ­েāύ্āϝু āĻŽāύে āĻ•āϰেāύি āĻ•্āϰিāĻ•েāϟেāϰ āϏāϰ্āĻŦোāϚ্āϚ āϏংāϏ্āĻĨা āφāχāϏিāϏি। āĻ­াāĻŦāύাāϟি āĻ…āĻŽূāϞāĻ• āύ⧟। āϏāύ্āϤ্āϰাāϏীāĻĻেāϰ āϏ্āĻŦāϰ্āĻ—āϰাāϜ্āϝে āĻĒāϰিāĻŖāϤ āĻšāĻ“ā§Ÿা āĻŦ্āϝāϰ্āĻĨ āϰাāώ্āϟ্āϰāϟিāϤে āĻ…āύেāĻ•āĻĻিāύ āϧāϰেāχ āĻ–েāϞāϤে āϝাāϚ্āĻ›ে āύা āĻ•োāύ āĻĻেāĻļ।






āωāĻĻ্āĻŦোāϧāύী āĻ…āύুāώ্āĻ াāύেāϰ āĻĻা⧟িāϤ্āĻŦ āĻĻি⧟ে āφāχāϏিāϏি āĻŦাংāϞাāĻĻেāĻļāĻ•ে āĻĻা⧟িāϤ্āĻŦāĻļীāϞ āĻ“ āĻ—āϰ্āĻŦিāϤ āĻ•āϰেāĻ›ে। āĻ…āύেāĻ•েāϰāχ āĻŽāύে āĻļāĻ™্āĻ•া āĻ›িāϞ, āĻŦাংāϞাāĻĻেāĻļ āĻĒাāϰāĻŦে āϤো? āĻĢেāĻŦ্āϰু⧟াāϰীāϰ āϏāϤেāϰ āϤাāϰিāĻ–েāϰ āϜāĻŽāĻ•াāϞো āĻ…āύুāώ্āĻ াāύ āĻĻি⧟ে āĻŦাংāϞাāĻĻেāĻļ āĻ•্āϰিāĻ•েāϟ āĻŦিāĻļ্āĻŦāĻ•ে āϤাāĻ• āϞাāĻ—ি⧟ে āĻĻি⧟েāĻ›ে, āϜাāύি⧟েāĻ›ে āφāĻŽāϰাāĻ“ āĻĒাāϰি। āϝāĻĻিāĻ“ āϏাংāϏ্āĻ•ৃāϤিāĻ• āĻ…āύুāώ্āĻ াāύেāϰ āĻĄাāĻŽাāĻĄোāϞেāϰ āĻ­িāϤāϰ āĻ•্āϰিāĻ•েāϟ āĻ•িāĻ›ুāϟা āĻšāϞেāĻ“ āωāĻĒেāĻ•্āώিāϤ āĻĨেāĻ•েāĻ›ে, āϤāĻŦু āϞেāϜাāϰ āϰāĻļ্āĻŽি āĻ“ āφāϤāĻļāĻŦাāϜিāϰ āĻŽāϧ্āϝ āĻĻি⧟ে āϤিāύ āĻĻেāĻļেāϰ āύৃāϤ্āϝ-āĻ—ীāϤ āωāĻĒāϏ্āĻĨাāĻĒāύা āĻŽāύ āĻ•ে⧜েāĻ›ে āϞাāĻ–ো āĻĻāϰ্āĻļāĻ•েāϰ। āĻļুāϰুāϰ āĻ­ুāϞ āωāϚ্āϚাāϰāĻŖেāϰ āχংāϰেāϜী āĻŦāĻ•্āϤৃāϤাāĻŽাāϞা āĻ›া⧜া āĻŦাāĻ•ী āĻĒুāϰো āĻ…āύুāώ্āĻ াāύāϟি āĻ›িāϞ āĻŽāύ্āϤ্āϰāĻŽুāĻ—্āϧāĻ•āϰ। āϰিāĻ•āĻļা⧟ āϚ⧜ে ā§§ā§Ē āĻĻেāĻļেāϰ āĻ…āϧিāύা⧟āĻ•েāϰ āϏ্āϟেāĻĄি⧟াāĻŽে āĻĒ্āϰāĻŦেāĻļ āĻŦিāĻĻেāĻļীāĻĻেāϰ āĻ•াāĻ›ে āĻ…āĻ­িāύāĻŦ āĻŽāύে āĻšā§ŸেāĻ›ে, āϝāĻĻিāĻ“ āϝāύ্āϤ্āϰেāϟাāύা āϏāĻ­্āϝāϤাāϰ āĻāχ āĻŦিāĻļ্āĻŦে āĻŽাāύুāώে-āϟাāύা āϰিāĻ•āĻļা āĻ•āϤāĻ–াāύি āϏāĻŽাāĻĻৃāϤ āĻšāĻŦে, āϤা āĻ­াāĻŦāύাāϰ āĻŦিāώ⧟; āϤāĻŦে āϰিāĻ•āĻļা āĻŽাāύāĻŦāĻŦাāύ্āϧāĻŦ āύা āĻšāϞেāĻ“ āĻĒāϰিāĻŦেāĻļāĻŦাāύ্āϧāĻŦ। āĻļিāϞ্āĻĒāĻŦ্āϝাংāĻ•েāϰ āϏুāωāϚ্āϚ āĻ–া⧜া āĻĻে⧟াāϞেāϰ āĻ•্āϰিāĻ•েāϟāĻ“ āĻ›িāϞ āĻ…āĻ­িāύāĻŦ। āĻŦāĻšুāĻŦāϰ্āĻŖিāϞ āϞেāϜাāϰ āφāϞোāϰ āύাāϚাāύাāϚি, āφāϤāĻļāĻŦাāϜিāϰ āĻ•্āϰāĻŽাāĻ—āϤ āωāĻĻāĻ—ীāϰāĻŖ āφāϰ āĻļিāϞ্āĻĒীāĻĻেāϰ āĻĸেāωāĻ–েāϞাāύো āĻĒাāĻĢāϰāĻŽেāύ্āϏেāϰ āĻ­িāϤāϰ āĻ•োāύ āĻ›āύ্āĻĻāĻĒāϤāύ āϘāϟেāύি। āφāĻŽাāĻĻেāϰ āĻ•েāĻŦāϞ āĻŽুāĻ–āϰāĻ•্āώাāχ āĻšā§Ÿāύি, āĻŽুāĻ–āωāϜ্āϜ্āĻŦāϞāĻ“ āĻšā§ŸেāĻ›ে। āϝে āĻŦাংāϞাāĻĻেāĻļāĻ•ে āĻĻুāύি⧟া āϚেāύে āĻŦāύ্āϝা āĻ“ āϘূāϰ্āĻŖিāĻā§œ āφāĻ•্āϰাāύ্āϤ, āĻŦিāĻĒāύ্āύ āĻŽাāύুāώāĻĻেāϰ āĻĻāϰিāĻĻ্āϰ āĻĻেāĻļ āĻšিāϏেāĻŦে, āϤাāϰ āĻ…āĻŽāύ āϜāĻŽāĻ•াāϞো āĻĒ্āϰāĻĻāϰ্āĻļāύী āĻ•িāĻ›ুāϟা āĻŦিāĻ­্āϰāĻŽ āϤৈāϰি āĻ•āϰāϞেāĻ“ āĻĒāϜিāϟিāĻ­ āϧাāϰāĻŖা āϏৃāώ্āϟি āĻ•āϰেāĻ›ে। āĻāĻ–āύ āĻĒ্āϰ⧟োāϜāύ āĻŦিāĻĻেāĻļীāĻĻেāϰ āĻāχ āϜেāĻ—ে āĻ“āĻ া āφāĻ—্āϰāĻšāĻ•ে āφāĻŽাāĻĻেāϰ āϏāĻŽ্āĻ­াāĻŦāύাāĻŽā§Ÿ āĻ…āĻĨāϚ āĻ…āĻŦāĻšেāϞিāϤ āĻĒāϰ্āϝāϟāύāĻļিāϞ্āĻĒেāϰ āĻŦিāĻ•াāĻļে āĻ•াāϜে āϞাāĻ—াāύো।






āĻ•্āϰিāĻ•েāϟ āύি⧟ে āωāĻĒāĻŽāĻšাāĻĻেāĻļেāϰ āĻŽাāύুāώāĻĻেāϰ āωāύ্āĻŽাāĻĻāύা āĻ•ীāϰূāĻĒ āĻāĻŦং āϤা āĻ•োāύ āωāϤ্āϤুāĻ™্āĻ— āĻ›োঁ⧟ āϤা āϜাāύে āφāχāϏিāϏি। āĻ–েāϞাāϟিāϰ āϜāύ্āĻŽāĻ­ূāĻŽিāϤেāĻ“ āĻāĻ–āύ āφāϰ āϤেāĻŽāύ āĻĻāϰ্āĻļāĻ• āϟাāύে āύা āĻ•্āϰিāĻ•েāϟ। āĻāϰ āĻāĻ•āϟি āĻ•াāϰāĻŖ āĻ•্āϰিāĻ•েāϟ āĻ…āϤ্āϝāύ্āϤ āϏāĻŽā§ŸāϏাāĻĒেāĻ•্āώ āĻ“ āϧীāϰāĻ—āϤিāϰ āĻ–েāϞা। āφāϜāĻ•েāϰ āϰāĻ•েāϟ āϝুāĻ—ে āĻŽাāύুāώেāϰ āĻšাāϤে āϏāϤ্āϝিāχ āĻ…āϤ āϏāĻŽā§Ÿ āύেāχ āĻ•াāϜ āĻĢেāϞে āϰেāĻ–ে āĻŦāϏে āĻŦāϏে āĻĻিāύāĻ­āϰ āĻ•্āϰিāĻ•েāϟ āĻĻেāĻ–āĻŦে। āωāĻĒāĻŽāĻšাāĻĻেāĻļেāϰ āĻŽাāύুāώ āĻŦুঁāĻĻ āĻšā§Ÿে āφāϜো āĻ–েāϞাāϟি āĻĻেāĻ–ে, āĻ•েāύāύা āϤাāĻĻেāϰ āĻšাāϤে āĻĒāϰ্āϝাāĻĒ্āϤ āĻ•াāϜ āύেāχ। āφāĻ—ে āĻ•্āϰিāĻ•েāϟ āĻŦāϞāϤে āĻ›িāϞ āϟেāϏ্āϟ āĻ•্āϰিāĻ•েāϟ, āĻĒাঁāϚāĻĻিāύ āϧāϰে āϝা āĻļāĻŽ্āĻŦুāĻ•āĻ—āϤিāϤে āϚāϞāϤ। āφāϧুāύিāĻ• āĻŽাāύুāώেāϰ āϚাāĻšিāĻĻা āĻ…āύুāϝা⧟ী āϏীāĻŽিāϤ āĻ“āĻ­াāϰেāϰ āĻāĻ•āĻĻিāύেāϰ āĻ–েāϞা āϚাāϞু āĻšā§Ÿ ⧧⧝⧭ā§Ģ āϏাāϞে। āĻāĻ–āύ āφāϰো āϏংāĻ•্āώিāĻĒ্āϤ āĻšā§ŸেāĻ›ে āĻ–েāϞাāϟি, āĻāϏেāĻ›ে āϟো⧟েāύ্āϟি-āϟো⧟েāύ্āϟি āĻ•্āϰিāĻ•েāϟ। āĻāĻ­াāĻŦেāχ āϝুāĻ—েāϰ āϏাāĻĨে āĻŦāĻĻāϞে āϝাāϚ্āĻ›ে āĻ–েāϞাāϟি āĻ“ āĻāϰ āĻĢāϰāĻŽ্āϝাāϟ। āĻ•্āϰিāĻ•েāϟাāϰāĻĻেāϰ āωāĻĒাāϰ্āϜāύ āĻšā§Ÿে āωāĻ েāĻ›ে āϚāĻ•্āώু āϚ⧜āĻ•āĻ—াāĻ› āĻšāĻŦাāϰ āĻŽāϤ āĻŦিāϏ্āĻŽā§ŸāĻ•āϰ, āĻŽāϰ্āϤ্āϝে āϤাāϰা āϏ্āĻŦāϰ্āĻ—েāϰ āϜীāĻŦāύāϝাāĻĒāύāχ āĻ•āϰāĻ›েāύ। āĻ•েāĻŦāϞ āĻ–্āϝাāϤি āĻ“ āĻŽāϰ্āϝাāĻĻা āύ⧟, āĻ•্āϰিāĻ•েāϟ āĻšā§Ÿে āωāĻ েāĻ›ে āϏ্āĻŦāĻĒ্āύেāϰ āĻāĻ• āĻ•্āϝাāϰি⧟াāϰ। āφāĻļ্āϚāϰ্āϝ āύ⧟ āϝে, āĻ…āύেāĻ• āĻ…āĻ­িāĻ­াāĻŦāĻ• āĻāĻ–āύ āϏāύ্āϤাāύāĻĻেāϰ āĻ•্āϰিāĻ•েāϟ āύি⧟ে āĻŽাāϤাāĻŽাāϤিāϤে āĻŦিāϰāĻ•্āϤ āύা āĻšā§Ÿে āĻŦāϰং āĻ‰ā§ŽāϏাāĻš āĻĻেāύ, āφāϰ āĻāϟাāχ āĻšāϚ্āĻ›ে āĻ­āĻŦিāώ্āϝāϤে āĻ­াāϞ āĻ•্āϰিāĻ•েāϟাāϰ āĻĒাāĻŦাāϰ āĻ…āύ্āϝāϤāĻŽ āĻĒāĻĨ।

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āĻ•্āϰিāĻ•েāϟ āύি⧟ে āωāĻĒāĻŽāĻšাāĻĻেāĻļেāϰ āĻĻāϰ্āĻļāĻ•āĻĻেāϰ āĻŦিāĻĒুāϞ āĻŽাāϤাāĻŽাāϤি āĻ–েāϞাāϟিāϰ āϏāϰ্āĻŦোāϚ্āϚ āφāϏāϰāϟিāĻ•ে āϝৌāĻ•্āϤিāĻ• āύি⧟āĻŽেāχ āύি⧟ে āĻāϏেāĻ›ে āĻ­াāϰāϤ-āĻŦাংāϞাāĻĻেāĻļ-āĻļ্āϰীāϞāĻ™্āĻ•া⧟। āĻ­াāϰāϤে āĻ•্āϰিāĻ•েāϟেāϰ āĻŦāϰāĻĒুāϤ্āϰāĻĻেāϰ āϏাāϧাāϰāĻŖ āϜāύāĻ—āĻŖ āĻĻেāĻŦāϤাāϰ āφāϏāύে āĻŦāϏি⧟ে āϰাāĻ–েāύ। āĻŦāϏ্āϤুāϤঃ āĻŦāĻšু āĻ­াāώা, āϜাāϤি āĻ“ āĻŦāϰ্āĻŖেāϰ āĻĻেāĻļ āĻ­াāϰāϤে āĻ•্āϰিāĻ•েāϟেāϰ āĻŽāϤ āĻ–ুāĻŦ āĻ•āĻŽ āϜিāύিāώāχ āφāĻ›ে āϝা āĻ—োāϟা āĻ­াāϰāϤāĻ•ে āĻāĻ•āϤ্āϰিāϤ āϰাāĻ–ে। āĻŦāĻšুāϜাāϤিāĻ• āĻ•োāĻŽ্āĻĒাāύীāĻ—ুāϞোāϰ āϜāύ্āϝ āĻ­াāϰāϤ āĻšāϚ্āĻ›ে āĻāĻ• āĻŦিāĻļাāϞ āĻĒāύ্āϝāĻŦাāϜাāϰ, āĻ•েāύāύা āĻ­াāϰāϤেāϰ āĻŽāϧ্āϝāĻŦিāϤ্āϤ āĻļ্āϰেāύীāϟি, āϝেāϟিāϰ āϰ⧟েāĻ›ে āĻ•্āϰ⧟āĻ•্āώāĻŽāϤা, āϤাāϰ āφāĻ•াāϰ āϏāĻŽāĻ—্āϰ āχāωāϰোāĻĒেāϰ āϜāύāϏংāĻ–্āϝাāϰ āϚে⧟ে āĻŦেāĻļী। āϏুāϤāϰাং āϤাāϰা āĻšুāĻŽā§œি āĻ–ে⧟ে āĻĒ⧜েāĻ›ে āĻ­াāϰāϤে। āĻ­াāϰāϤী⧟ āϜāύāĻ—āĻŖেāϰ āĻ•্āϰিāĻ•েāϟāĻĒ্āϰীāϤিāĻ•ে āϤাāϰা āĻ­াāϞāχ āĻ•াāϜে āϞাāĻ—াāϚ্āĻ›ে āĻ­োāĻ•্āϤাāϰ āĻŽāύ āϜ⧟ āĻ•āϰে āύিāϤে। āĻāĻ›া⧜া āϰ⧟েāĻ›ে āĻ­াāϰāϤী⧟ āϧāύিāĻ•āĻļ্āϰেāύী āϝাāϰা āφāχāĻĒিāĻāϞেāϰ āĻŽāϤ āϟাāĻ•া āĻ›ā§œাāύো āφāϏāϰ āĻŦāϏি⧟েāĻ›ে āĻ­াāϰāϤে, āĻĢāϞে āĻĒৃāĻĨিāĻŦীāϰ āϏāĻ•āϞ āĻ•্āϰিāĻ•েāϟাāϰāχ āĻāĻ–āύ āĻ­াāϰāϤāĻŽুāĻ–ী। āĻ–েāϞাāϟিāϰ āĻ­āĻŦিāώ্āĻ¯ā§Ž āϝে āωāĻĒāĻŽāĻšাāĻĻেāĻļেāχ āφāϰ āĻāĻ•ে āĻ…āϰ্āĻĨāύৈāϤিāĻ•āĻ­াāĻŦে āĻŦাঁāϚি⧟ে āϰাāĻ–āĻŦে āĻ­াāϰāϤāχ – āĻāϟা āϜাāύে āφāχāϏিāϏি। āϜāĻ™্āĻ—ী āϏāύ্āϤ্āϰাāϏে āĻŦিāĻĒāϰ্āϝāϏ্āϤ āφāϰ āϟুāĻ•āϰো āϟুāĻ•āϰো āĻšā§Ÿে āĻĒ⧜াāϰ āφāĻļāĻ™্āĻ•াāĻ—্āϰāϏ্āĻĨ āĻĒাāĻ•িāϏ্āϤাāύেāĻ“ āĻ•্āϰিāĻ•েāϟāχ āĻšāϚ্āĻ›ে āϐāĻ•্āϝেāϰ āϏূāϤ্āϰ – āϝা āϏāĻ•āϞ āĻĒাāĻ•িāϏ্āϤাāύিāĻ•ে āĻāĻ•āχ āφāĻŦেāĻ—ে āĻĻোāϞা⧟ āĻ“ āĻāĻ•āϤ্āϰিāϤ āϰাāĻ–ে ।










āϏ্āĻŦাāϧীāύāϤাāϰ āφāĻ—ে āĻ“ āĻĒāϰে āĻŦাংāϞাāĻĻেāĻļেāϰ āĻĒ্āϰāϧাāύ āĻ–েāϞা āĻ›িāϞ āĻĢুāϟāĻŦāϞ। āϏāϤ্āϤāϰেāϰ āĻļেāώāĻ­াāĻ—ে āĻ“ āφāĻļিāϰ āĻļুāϰুāϤে āĻĢুāϟāĻŦāϞ āύি⧟ে āϤীāĻŦ্āϰ āĻŽাāϤাāĻŽাāϤি āĻ›িāϞ, āϏুāĻĒাāϰāϏ্āϟাāϰ āĻĢুāϟāĻŦāϞেāϰা āϏা⧜āĻŽ্āĻŦāϰে āĻĻāϞ-āĻŦāĻĻāϞ āĻ•āϰāϤেāύ āĻāĻŦং āψāϰ্āώাāϜāύāĻ• āϟ্āϰাāύ্āϏāĻĢাāϰ āĻĢি āĻĒেāϤেāύ। āϏে āϏāĻŽā§Ÿে āĻ•্āϰিāĻ•েāϟেāϰ āϤেāĻŽāύ āĻ•োāύ āϜāύāĻĒ্āϰি⧟āϤা āĻ›িāϞ āύা। āφāĻļিāϰ āĻĻāĻļāĻ•েāϰ āĻŽাāĻাāĻŽাāĻি āϟেāϞিāĻ­িāĻļāύেāϰ āĻ•āϞ্āϝাāĻŖে āφāĻŽāϰা āĻŦিāĻļ্āĻŦāĻ•াāĻĒ āĻ“ āχāωāϰোāĻĒী⧟ āĻĢুāϟāĻŦāϞ āĻĻেāĻ–াāϰ āϏুāϝোāĻ— āĻĒাāχ, āϤুāϞāύা⧟ āφāĻŽাāĻĻেāϰ āĻĢুāϟāĻŦāϞāĻ•ে āĻĒাāύāϏে, āĻŦিāĻŦāϰ্āĻŖ āĻŽāύে āĻšā§Ÿ। āĻ āĻ›া⧜া āĻ•্āϞাāĻŦ āĻĢুāϟāĻŦāϞেāϰ āĻ­াāϞো āĻĢুāϟāĻŦāϞাāϰāϰা āϜাāϤী⧟ āĻĻāϞে āĻĒা āĻŦাঁāϚি⧟ে āĻ–েāϞāϤো। āφāĻž্āϚāϞিāĻ• āĻĢুāϟāĻŦāϞেāĻ“ āϤেāĻŽāύ āĻ•োāύ āϏাāĻĢāϞ্āϝ āφāĻŽāϰা āĻĒাāχāύি। āĻāϏāĻŦāχ āĻĻāϰ্āĻļāĻ•āĻĻেāϰ āĻŽāύ āĻĨেāĻ•ে āĻĢুāϟāĻŦāϞāĻ•ে āϏāϰি⧟ে āĻĻে⧟। āϝেāĻšেāϤু āĻ—ুāϟিāĻ•ā§Ÿ āĻĻেāĻļেāϰ āĻŽাāĻে āĻ–েāϞাāϟি āϏীāĻŽিāϤ, āĻ•্āϰিāĻ•েāϟে āĻ­াāϞ āĻĢāϞাāĻĢāϞ āĻ•āϰা āĻ…āύেāĻ• āϏāĻšāϜ, āĻŦাংāϞাāĻĻেāĻļেāϰ āϤāϰুāĻŖ āĻ•্āϰিāĻ•েāϟাāϰāϰা āϤাāχ āĻ•āϰে āĻĻেāĻ–ি⧟েāĻ›ে। āĻŽাāϞ⧟েāĻļি⧟া⧟ āφāχāϏিāϏি āϟ্āϰāĻĢি āϜ⧟āϞাāĻ­েāϰ āĻŽāϧ্āϝ āĻĻি⧟ে āĻ•্āϰিāĻ•েāϟেāϰ āϝে āĻŦিāϜ⧟āφāύāύ্āĻĻāϝাāϤ্āϰা āĻļুāϰু āĻšā§ŸেāĻ›িāϞ āφāϜো āϤা āĻ…āĻŦ্āϝাāĻšāϤ āϰ⧟েāĻ›ে। āĻŽāύে āφāĻ›ে āϏে āϏāĻŽā§Ÿে āĻŦিāϜ⧟ী āĻĻāϞāϟিāĻ•ে āϏāĻŽ্āĻŦāϰ্āϧāύা āϜাāύাāϤে āĻŽাāύুāώেāϰ āĻĸāϞ āύেāĻŽেāĻ›িāϞ āĻŽাāύিāĻ• āĻŽি⧟া āĻ্āϝাāĻ­েāύুāϤে। āĻ—োāϟা āĻĻেāĻļ āϐāĻ•্āϝāĻŦāĻĻ্āϧ āĻšā§ŸেāĻ›িāϞ āĻ•্āϰিāĻ•েāϟাāϰāĻĻেāϰ āĻļুāĻ­েāϚ্āĻ›া āϜাāύাāϤে, āωāĻĻ্āĻŦেāϞিāϤ āĻšā§ŸেāĻ›িāϞ āϤাāĻĻেāϰ āϏাāĻĢāϞ্āϝে, āĻ•েāύāύা āϤা āĻ›িāϞ āĻŦাংāϞাāĻĻেāĻļেāϰāχ āϏাāĻĢāϞ্āϝ। āϘāϰেāϰ āĻŽাāϟিāϤে āĻŦিāĻļ্āĻŦāĻ•াāĻĒ āĻ“ āϜাāϤী⧟ āĻĻāϞেāϰ āϏাāĻŽ্āĻĒ্āϰāϤিāĻ• āĻĒাāϰāĻĢāϰāĻŽেāύ্āϏ āφāĻŽাāĻĻেāϰ āĻĒ্āϰāϤ্āϝাāĻļাāϰ āĻĒাāϰāĻĻāĻ•ে āĻŦāĻšুāϊāϰ্āϧ্āĻŦে āϤুāϞে āĻĻি⧟েāĻ›ে। āĻŦিāĻļ্āĻŦāĻ•াāĻĒ āύি⧟ে āĻ‰ā§ŽāϏাāĻšেāϰ āĻļেāώ āύেāχ āĻŽাāύুāώāĻĻেāϰ। āϤাāϰা āĻĻāϞ āĻŦেঁāϧে āĻĸাāĻ•াāϰ āφāϞোāĻ•āϏāϜ্āϜা āĻĻেāĻ–āĻ›ে, āĻŦিāĻļ্āĻŦাāϏ āĻ•āϰāĻ›ে āφāύ্āϤāϰিāĻ• āĻšāϞে āφāĻŽāϰাāĻ“ āφāĻŽাāĻĻেāϰ āύোংāϰা āĻļāĻšāϰāϟিāĻ•ে āĻĒāϰিāϚ্āĻ›āύ্āύ āϰাāĻ–āϤে āĻĒাāϰি। āĻĒাāϰি āĻāĻ•āϟি āϚোāĻ–āϧাঁāϧাāύো āĻ…āύুāώ্āĻ াāύ āĻŦিāĻļ্āĻŦāĻ•ে āωāĻĒāĻšাāϰ āĻĻিāϤে, āĻĒāĻĨে āĻĒāĻĨে āĻŦāϰ্āĻŖিāϞ āφāϞোāĻ•āĻŽাāϞাāϰ āĻŦিāϏ্āĻŽā§ŸāĻ•āϰ āϏৌāύ্āĻĻāϰ্āϝ āϏাāϜাāϤে।






⧧⧝⧝⧝ āϏাāϞে āĻŦিāĻļ্āĻŦāĻ•াāĻĒে āĻĒ্āϰāĻĨāĻŽ āφāĻŦিāϰ্āĻ­াāĻŦেāχ āĻĒāϰাāĻļāĻ•্āϤি āĻĒাāĻ•িāϏ্āϤাāύāĻ•ে āĻšাāϰি⧟ে āĻŦাংāϞাāĻĻেāĻļ āϏা⧜া āĻĢেāϞেāĻ›িāϞ। āĻĒুāϰো āĻĻেāĻļ āφāύāύ্āĻĻ- āωāϤ্āϤেāϜāύা⧟ āĻ—āϰ্āϜে āωāĻ েāĻ›িāϞ, āϝেāύ ⧧⧝⧭⧧ āĻāϰ āĻĒāϰে āφāĻŽāϰা āφāϰো āĻāĻ•āĻŦাāϰ āĻĒাāĻ•িāϏ্āϤাāύāĻ•ে āĻšাāϰাāϞাāĻŽ। āϤāĻ–āύ āϏংāĻŦাāĻĻāĻĒāϤ্āϰেāϰ āĻļিāϰোāύাāĻŽ āĻ›িāϞ ‘āĻŦাāϘেāϰ āĻ—āϰ্āϜāύ āĻļুāύেāĻ›ে āĻŦিāĻļ্āĻŦ’। āĻ­াāϰāϤāĻ•ে āĻšাāϰাāύো āĻ›িāϞ āĻ—āϤ āĻŦিāĻļ্āĻŦāĻ•াāĻĒেāϰ āĻŦ⧜ āĻ…āϘāϟāύ, āϝে āĻ•াāϰāĻŖে āĻ­াāϰāϤেāϰ āĻŦিāĻļ্āĻŦāĻ•াāĻĒ āĻŽিāĻļāύāχ āĻļেāώ āĻšā§Ÿে āĻ—ি⧟েāĻ›িāϞ, āĻāĻ•āĻļ āĻ•োāϟি āĻ­াāϰāϤী⧟ āϚāϰāĻŽ āĻšāϤাāĻļাāϰ āϤিāĻŽিāϰে āĻĄুāĻŦে āĻ—ি⧟েāĻ›িāϞ। āĻ­াāϰāϤেāϰ āĻĒāϰ āĻ•্āϰিāĻ•েāϟেāϰ āφāϰেāĻ• āĻĒāϰাāĻļāĻ•্āϤি āĻĻāĻ•্āώিāύ āφāĻĢ্āϰিāĻ•াāĻ•ে āĻšাāϰি⧟ে āφāĻŽāϰা āĻļāĻ•্āϤিāϰ āϜাāύাāύ āĻĻি⧟েāĻ›িāϞাāĻŽ, āωāϜ্āϜ্āĻŦāϞ āϏāĻŽ্āĻ­াāĻŦāύা āϤৈāϰি āĻ•āϰেāĻ›িāϞাāĻŽ āĻ•ো⧟াāϰ্āϟাāϰ āĻĢাāχāύাāϞে āĻ–েāϞাāϰ। āĻ•িāύ্āϤু āĻĒঁāϚা āĻļাāĻŽুāĻ• āĻ†ā§ŸাāϰāϞ্āϝাāύ্āĻĄে āĻĒা āĻ•েāϟে āĻŦিāĻĻা⧟ āύিāϤে āĻšā§ŸেāĻ›িāϞ। āφāϜāĻ•েāϰ āĻ–েāϞা āϏেāχ āĻĒāϚা āĻļাāĻŽুāĻ•āϟিāϰ āϏাāĻĨেāχ। āĻāĻŦাāϰ āφāϰ āĻĒা āĻ•াāϟāϞে āϚāϞāĻŦে āύা, āĻ•েāύāύা āϤাāĻšāϞে āĻ•ো⧟াāϰ্āϟাāϰ āĻĢাāχāύাāϞে āĻ–েāϞাāϰ āϏ্āĻŦāĻĒ্āύ āĻ“ āϏāĻŽ্āĻ­াāĻŦāύা āĻŽāϞিāύ āĻšā§Ÿে āϝাāĻŦে। āϤাāχ āϏāϤāϰ্āĻ•āĻ­াāĻŦে āĻĄিāĻ™্āĻ—ি⧟ে āϝেāϤে āĻšāĻŦে āĻ…āĻĒেāĻ•্āώাāĻ•ৃāϤ āĻĻুāϰ্āĻŦāϞ āĻĻāϞ āĻ†ā§ŸাāϰāϞ্āϝাāĻŖ্āĻĄ āĻ“ āύেāĻĻাāϰāϞ্āϝাāύ্āĻĄāĻ•ে, āφāϰ āĻĒ্āϰāϏ্āϤুāϤ āĻšāϤে āĻšāĻŦে āĻŦ⧜ āĻĻāϞāĻ—ুāϞোāĻ•ে āĻŽোāĻ•াāĻŦেāϞা āĻ•āϰাāϰ āϜāύ্āϝ, āϝাāĻĻেāϰ āĻ…āύ্āϤāϤঃ āĻāĻ•āϟিāĻ•ে āĻĒāϰাāϏ্āϤ āĻ•āϰাāϰ āϏাāĻŽāϰ্āĻĨ্āϝ āĻŦাংāϞাāĻĻেāĻļেāϰ āφāĻ›ে।








āĻ•্āϰিāĻ•েāϟ āĻŦা āĻĢুāϟāĻŦāϞ āύি⧟ে āĻ•েāύ āĻŽাāύুāώেāϰ āĻāχ āωāύ্āĻŽāϤ্āϤ্āĻŦāϤা, āĻāχ āĻŽাāϤাāĻŽাāϤি? āĻŦিāϜ্āĻžাāύেāϰ āĻ…āĻ—্āϰāϝাāϤ্āϰাāϰ āĻ•াāϰāĻŖে āĻ“ āĻŽাāϰ্āĻ•্āϏāϏāĻŦাāĻĻী āĻĻāϰ্āĻļāύেāϰ āĻĒ্āϰāϏাāϰেāϰ āĻĢāϞে āϏাāϰা āĻŦিāĻļ্āĻŦেāχ āϧāϰ্āĻŽāĻŦিāĻļ্āĻŦাāϏে āϚি⧜ āϧāϰেāĻ›ে āĻŽাāύুāώেāϰ। āϰাāϜāύৈāϤিāĻ• āύেāϤাāĻĻেāϰ āĻĒ্āϰāϤিāĻ“ āφāϏ্āĻĨা āύেāχ āϤাāĻĻেāϰ। āϏাāĻŽ্āĻĒ্āϰ্āϰāϤিāĻ• āφāϰāĻŦāĻŦিāĻļ্āĻŦে āĻĻৌāϰ্āĻĻāĻŖ্āĻĄāĻĒ্āϰāϤাāĻĒāĻļাāϞী āϰাāϜāύৈāϤিāĻ• āύেāϤাāĻĻেāϰ āĻŦিāϰুāĻĻ্āϧে āϏাāϧাāϰāĻŖ āϜāύāĻ—āύেāϰ āĻ•্āώোāĻ­ āĻ“ āφāύ্āĻĻোāϞāύ āϏে āĻ•āĻĨাāχ āĻĒ্āϰāĻŽাāĻŖ āĻ•āϰে। āĻĢāϞে āϜāύāĻ—āĻŖ āφāϜ āύা⧟āĻ•āĻļূāύ্āϝ। āĻāχ āĻļূāύ্āϝāϏ্āĻĨাāύ āĻĒূāϰāĻŖ āĻ•āϰāĻ›ে āĻŽāĻž্āϚেāϰ āĻ—া⧟āĻ•, āϚāϞāϚিāϤ্āϰেāϰ āύা⧟āĻ• āĻ“ āĻŽাāĻ েāϰ āĻ–েāϞো⧟াāϰāϰা। āϤাāχāϤো āĻāĻ•āϜāύ āĻļāϚীāύ āϟেāύ্āĻĄুāϞāĻ•াāϰ āĻŦা āĻŦ্āϰা⧟াāύ āϞাāϰাāĻ•ে āύি⧟ে āĻŽাāύুāώ āĻāϤ āĻŽেāϤে āĻ“āĻ ে। āϜাāϤিāϤে āϜাāϤিāϤে, āϰাāώ্āϟ্āϰে āϰাāώ্āϟ্āϰে āϏংāϘāϰ্āώেāϰ āϏেāχ āĻĒ্āϰাāϚীāύ āĻĻিāύāĻ—ুāϞোāĻ“ āϏāĻ­্āϝ(?) āĻŽাāύুāώ āĻĒিāĻ›ে āĻĢেāϞে āĻāϏেāĻ›ে। āϤāĻŦে āĻĒ্āϰাāϚীāύ āĻŦিāĻŦাāĻĻ āĻ“ āψāϰ্āώাāϰ āĻŦিāώ⧟āĻ—ুāϞো āĻāĻ–āύো āϰ⧟ে āĻ—েāĻ›ে āĻŦিāĻ­িāύ্āύ āϜাāϤিāϏāϤ্āϤ্āĻŦাāϰ āĻŽাāĻে। āĻ–েāϞা āĻšā§Ÿে āωāĻ েāĻ›ে āϐ āĻĒুāϰোāύো āĻŦিāĻŦাāĻĻ āĻŽীāĻŽাংāϏাāϰ āύāϤুāύ āϏāĻ­্āϝāϰূāĻĒ। āĻŽাāĻ āĻ—ুāϞো āφāϏāϞে āϝুāĻĻ্āϧāĻ•্āώেāϤ্āϰেāϰ āĻĒ্āϰāϤীāĻ•িāϰূāĻĒ। āĻĢুāϟāĻŦāϞ āĻŦা āĻ•্āϰিāĻ•েāϟ āĻĻāϞāϟি āĻ—োāϟা āĻĻেāĻļ āĻŦা āϜাāϤিāĻ•ে āĻĒ্āϰāϤিāύিāϧিāϤ্āĻŦ āĻ•āϰে। āϐ ā§§ā§§āϜāύ āϝোāĻĻ্āϧা, āϝাāϰা āĻ•াঁāϧে āĻ•āϰে āĻŦ⧟ে āĻŦে⧜াāύ āĻāĻ•āϟি āĻĻেāĻļেāϰ āĻĒ্āϰāϤ্āϝাāĻļাāϰ āĻŦিāĻĒুāϞ āĻ­াāϰ। āϜāύ্āĻŽāϞāĻ—্āύ āĻĨেāĻ•ে āĻŦৈāϰী āĻĻুāχ āĻĒ্āϰāϤিāĻŦেāĻļী, āĻ­াāϰāϤ āĻ“ āĻĒাāĻ•িāϏ্āϤাāύেāϰ āĻŽাāĻে āϏāϰাāϏāϰি āϝুāĻĻ্āϧ āĻšā§ŸেāĻ›ে āϤিāύāϟি। āĻĢāϞে āĻŦৈāϰীāϤা āύা āĻ•āĻŽে āφāϰো āωāϤ্āϤুāĻ™্āĻ— āĻšā§ŸেāĻ›ে। āĻĻু’āĻĻেāĻļেāϰ āĻŽāϤāϞāĻŦāĻŦাāϜ āϰাāϜāύীāϤিāĻ•āϰা āύিāϜেāĻĻেāϰ āĻšীāύ āϏ্āĻŦাāϰ্āĻĨেāχ āϜিāĻ‡ā§Ÿে āϰেāĻ–েāĻ›ে āĻāχ āĻŦৈāϰীāϤা, āϝুāĻĻ্āϧংāĻĻেāĻšী āĻ•āϰে āϰেāĻ–েāĻ›ে āĻĻুāĻĻেāĻļেāϰ āύিāϰীāĻš āϜāύāĻ—āĻŖāĻ•ে। āĻāχ āĻŦিāĻŦাāĻĻ āĻāĻ–āύ āĻĒ্āϰāϤীāĻ•া⧟িāϤ āϰূāĻĒ āύি⧟েāĻ›ে āĻ•্āϰিāĻ•েāϟ āĻŽাāĻ ে। āϏেāĻ–াāύে āĻŽ্āϝাāϚ āϜ⧟ āϝেāύ āϝুāĻĻ্āϧ āϜ⧟। āĻāĻ•āχ āĻŦিāώ⧟ āĻĻেāĻ–ি āϤিāĻ•্āϤ āχāϤিāĻšাāϏেāϰ āϏাāĻ•্āώী āĻĻুāχ āĻĒ্āϰāϤিāĻŦেāĻļী āĻ…āϏ্āϟ্āϰেāϞি⧟া āĻ“ āύিāωāϜিāϞ্āϝাāĻŖ্āĻĄেāϰ āĻŽাāĻে; āĻŽূāϞ āĻ­ূāĻ–āĻŖ্āĻĄ āĻŦ্āϰিāϟেāύ āĻ“ āĻĒ্āϰাāĻ•্āϤāύ āωāĻĒāύিāĻŦেāĻļ āĻ…āϏ্āϟ্āϰেāϞি⧟াāϰ āĻŽাāĻে āĻ্āϝাāϏেāϜ āϏিāϰিāϜেāϰ āϤীāĻŦ্āϰ āĻĒ্āϰāϤিāĻĻ্āϧāύ্āϧিāϤা āϤাāĻĻেāϰ āϐāϤিāĻšাāϏিāĻ• āĻŦিāϰোāϧেāϰāχ āϏাāĻ•্āώী।






āĻ•্āϰিāĻ•েāϟ āϝেāĻ­াāĻŦে āφāĻŽাāĻĻেāϰ āϜāύāĻ—োāώ্āĻ িāĻ•ে āϐāĻ•্āϝāĻŦāĻĻ্āϧ āĻ•āϰেāĻ›ে āϤা āĻāĻ•āĻ•āĻĨা⧟ āĻ…āĻ­ূāϤāĻĒূāϰ্āĻŦ āĻ“ āφāĻļা āϜাāĻ—াāύি⧟া। āĻŦাāĻ™াāϞী āĻāĻŽāύিāϤেāχ āĻŦāĻšু āĻŽāϤ āĻ“ āĻĒāĻĨে āĻŦিāĻ­āĻ•্āϤ āĻāĻ• āϏ্āĻŦাāϧীāύ āϜাāϤিāϏāϤ্āϤ্āĻŦা। āĻ•āĻŦি āĻļāĻ™্āĻ– āϘোāώ āϞিāĻ–েāĻ›েāύ, ‘āφāĻŽি āĻĒাঁāϚāϜāύ āĻŽাāύুāώāĻ•ে āĻĒঁāϚিāĻļāϟি āϰাāϏ্āϤা⧟ āϝেāϤে āĻŦāϞি, āϤাāϤে āĻĒ্āϰāϤ্āϝেāĻ•েāχ āĻĒে⧟ে āϝাāĻŦেāύ āĻ†ā§œাāχāϟি āĻ•āϰে āĻļাāϞāĻĒাāϤা।’ āĻŦাāĻ™াāϞী āĻāĻŽāύি āĻāĻ• āĻŦāĻšুāϧাāĻŦিāĻ­āĻ•্āϤ āϜাāϤি। āϏাāĻŽ্āĻĒ্āϰāϤিāĻ• āϏāĻŽā§Ÿে āϏে āĻŦিāĻ­āĻ•্āϤ āϰ⧟েāĻ›ে āĻĻুāϟি āĻĒ্āϰāϧাāύ āϰাāϜāύৈāϤিāĻ• āĻļিāĻŦিāϰে, āϝাāĻĻেāϰ āĻŽাāĻে āĻŽāϤāĻĒাāϰ্āĻĨāĻ•্āϝ, āϏ্āĻŦাāϰ্āĻĨেāϰ āϏংāϘাāϤ, āĻšাāύাāĻšাāύিāϰ āϤিāĻ•্āϤāϰূāĻĒ āϧাāϰāĻŖ āĻ•āϰেāĻ›ে। āĻ­াāϞো āĻšোāĻ• āĻŦা āĻŽāύ্āĻĻ āĻšোāĻ•, āϏāϰāĻ•াāϰী āĻĻāϞেāϰ āĻĒ্āϰāϤিāϟি āωāĻĻ্āϝোāĻ—āĻ•ে āύিāύ্āĻĻা āĻ•āϰাāχ āĻŦিāϰোāϧী āĻĻāϞেāϰ āϏ্āĻŦāĻ­াāĻŦ। āĻĒ্āϰāϤিāĻŦেāĻļী āĻĻেāĻļ āĻ­াāϰāϤেāĻ“ āφāĻŽāϰা āĻĻেāĻ–ি āĻ•িāĻ›ু āĻŽৌāϞিāĻ• āĻŦিāώ⧟ āϝেāĻŽāύ āϰাāώ্āϟ্āϰেāϰ āύিāϰাāĻĒāϤ্āϤা, āϜাāϤী⧟ āϐāĻ•্āϝ āĻ“ āĻ…āĻ–āĻŖ্āĻĄāϤা āϰāĻ•্āώা, āϏāύ্āϤ্āϰাāϏ āĻĻāĻŽāύ, āĻ…āϰ্āĻĨāύৈāϤিāĻ• āωāύ্āύ⧟āύ āχāϤ্āϝাāĻĻিāϤে āĻŦিāϰোāϧী āĻĻāϞ āϏāϰāĻ•াāϰী āĻĻāϞেāϰ āĻĒাāĻļেāχ āĻĨাāĻ•ে। āĻ•িāύ্āϤু āĻŦাংāϞাāĻĻেāĻļে āĻāχ āϏুāϏ্āĻĨ āϰাāϜāύীāϤিāϰ āϏংāϏ্āĻ•ৃāϤি āĻ—ā§œে āĻ“āĻ েāύি। āĻĻেāĻļেāϰ āĻ­িāϤāϰ āĻāχ āĻŽৌāϞ āĻŦিāĻ­াāϜāύ āĻŦাংāϞাāĻĻেāĻļেāϰ āϜāύ্āϝ āĻ…āϤ্āϝāύ্āϤ āĻ…āĻļুāĻ­āĻ•āϰ।






āĻŦāĻšিāϰ্āĻŦিāĻļ্āĻŦে āφāĻŽাāĻĻেāϰ āϝে āχāĻŽেāϜ – āϤা āĻ–ুāĻŦ āĻāĻ•āϟা āϏ্āĻŦāϏ্āϤিāĻ•āϰ āύ⧟। āĻŦিāĻļ্āĻŦ āĻŦাংāϞাāĻĻেāĻļāĻ•ে āϚেāύে āĻĒ্āϰাāĻ•ৃāϤিāĻ• āĻĻুāϰ্āϝোāĻ—েāϰ āĻļিāĻ•াāϰ, āĻŦিāϧ্āĻŦāϏ্āϤ āĻāĻ• āϜāύāĻĒāĻĻ āĻšিāϏেāĻŦে, āϝা āĻ…āϤিāĻĻāϰিāĻĻ্āϰ āĻ“ āĻ…āϏāĻšা⧟। āĻĻুāϰ্āύীāϤিāϤে āĻŦিāĻļ্āĻŦāϏেāϰা āĻšā§Ÿে āφāĻŽāϰা āϝে āϤাāϞিāĻ•াāϰ āĻļীāϰ্āώে āωāĻ েāĻ›ি, āϤাāĻ“ āφāĻŽাāĻĻেāϰ āϜāύ্āϝ āĻŽāϰ্āϝাāĻĻাāĻ•āϰ āĻ•িāĻ›ু āĻŦ⧟ে āφāύেāύি। āϏাāĻŽ্āĻĒ্āϰāϤিāĻ• āϏāĻŽā§Ÿে āφāĻŽাāĻĻেāϰ āϏেāύাāϰা āϜাāϤিāϏংāϘেāϰ āĻļাāύ্āϤিāĻŽিāĻļāύে āϚāĻŽā§ŽāĻ•াāϰ āĻ­ূāĻŽিāĻ•া āĻĒাāϞāύ āĻ•āϰে āĻ•িāĻ›ু āĻĒ্āϰāĻļংāϏা āĻ…āϰ্āϜāύ āĻ•āϰেāĻ›ে। āĻ–েāϞাāϧূāϞা⧟ āφāĻŽāϰা āĻ•োāύ āĻĒāϰ্āϝা⧟েāχ āωāĻ āϤে āĻĒাāϰিāύি। āĻ•েāĻŦāϞ āĻ•্āϰিāĻ•েāϟāχ āĻāĻ•āϟি āĻ–েāϞা āϝা āφāĻŽāϰা āĻŦিāĻļ্āĻŦāĻĒāϰ্āϝা⧟ে āĻ–েāϞি। āϝেāĻ–াāύে āĻĒāϰাāĻ•্āϰāĻŽāĻļাāϞী āϚীāύāĻ•েāĻ“ āφāĻŽāϰা āĻ…āύা⧟াāϏে āĻšাāϰি⧟ে āĻĻিāχ, āĻĻি⧟েāĻ›ি āϏāĻĻ্āϝāϏāĻŽাāĻĒ্āϤ āĻāĻļি⧟াāύ āĻ—েāĻŽāϏে। āĻĢুāϟāĻŦāϞেāϰ āĻĒāϰাāĻ•্āϰāĻŽāĻļাāϞী āĻĻেāĻļ āĻšāϞ্āϝাāĻŖ্āĻĄāĻ•ে āφāĻŽāϰা āϏāĻšāϜেāχ āĻšাāϰি⧟েāĻ›ি āĻ•্āϰিāĻ•েāϟে; āĻŦিāĻļ্āĻŦ āĻĢুāϟāĻŦāϞেāϰ āϏেāϰা āĻĻেāĻļ āĻŦ্āϰাāϜিāϞ āĻŦা āĻĒৃāĻĨিāĻŦীāϰ āĻļীāϰ্āώ āĻ…āϰ্āĻĨāύৈāϤিāĻ• āĻ“ āϏাāĻŽāϰিāĻ• āĻļāĻ•্āϤি āφāĻŽেāϰিāĻ•া āĻĒাāϤ্āϤা āĻĒাāĻŦে āύা āφāĻŽাāĻĻেāϰ āĻ•াāĻ›ে। āĻ•্āϰিāĻ•েāϟেāϰ āĻ…āύ্āϝāϤāĻŽ āĻļāĻ•্āϤিāϧāϰ āĻĻেāĻļ āύিāωāϜিāϞ্āϝাāĻŖ্āĻĄ āϝāĻ–āύ āφāĻŽাāĻĻেāϰ āĻĻাāĻŽাāϞ āĻ›েāϞেāĻĻেāϰ āĻšাāϤে ‘āĻšো⧟াāχāϟ āĻ“ā§ŸাāĻļ’ āĻšā§Ÿ, āϤāĻ–āύ āĻ•্āϰিāĻ•েāϟ āύি⧟ে āφāĻŽāϰা āĻŽেāϤে āύা āωāĻ ে āĻĒাāϰিāύা। āĻ•্āϰিāĻ•েāϟ āύি⧟ে āϤাāχ āφāĻŽাāĻĻেāϰ āĻāϤ āĻ—āϰ্āĻŦ, āĻāϤ āωāϤ্āϤেāϜāύা। āĻāϟি āĻšā§Ÿে āωāĻ েāĻ›ে āφāĻŽাāĻĻেāϰ āϜ⧟েāϰ, āĻ…āĻšং⧟েāϰ āĻĒ্āϰāϤীāĻ•। āĻ•্āϰিāĻ•েāϟ āĻšā§Ÿে āωāĻ āϤে āĻĒাāϰে āφāĻŽাāĻĻেāϰ āϜাāϤী⧟ āϐāĻ•্āϝেāϰāĻ“ āĻĒ্āϰāϤীāĻ•!






āĻ•াāĻŽāϰুāϞ āĻšাāϏাāύ : āĻ•āĻŦি āĻ“ āĻ—āϞ্āĻĒāĻ•াāϰ। āĻŦেāϏāϰāĻ•াāϰি āĻāĻ• āĻŦিāĻļ্āĻŦāĻŦিāĻĻ্āϝাāϞ⧟ে āĻļিāĻ•্āώāĻ•āϤা āĻ•āϰেāύ।



This blog is open to all writers.
All work must be original. Author Kamrul Hassan has accepted the invitation to write for this blog.


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Just for Laughter


Couples

Q. Why do couples hold hands during their wedding?
A.  It's a formality just like two boxers shaking hands before the fight begins!

~~~

It's funny when people discuss Love Marriage vs Arranged.
It's like asking someone, if suicide is better or being murdered.


 

Lawyer

Lawyer : "Now sir, I'm sure you are an intelligent and honest man."
Witness: "Thank you. If I weren't under oath, I'd return the compliment."

~~~

Lawyer : "Have you lived in this town all your life?"
Witness: "Not yet."
 
  ~~~

Lawyer : "Trooper, when you stopped the defendant, were your red and blue lights flashing?"
Witness: "Yes."
Lawyer : "Did the defendant say anything when she got out of her car?"
Witness: "Yes, sir."
Lawyer : "What did she say?"
Witness: "'What disco am I at?'"


~~~

Divorce court judge to husband: "Mr Geraghty,I have reviewed this case very carefully and I've decided to give your wife $800 a week."
Husband: "That's very fair,your honor. "And every now and then I'll try to send her a few bucks myself."

~~~


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